Clay Moulded Teatro Ryepy Diseño Marius Mateika omba'apóva

Clay Moulded Teatro Ryepy Diseño Marius Mateika omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Itaju pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

ItajuOgapype· 2025

Clay Moulded Teatro Ryepy Diseño

Marius Mateika -gua

Mba'eporuhára: Mama architects

A' Design Award Itaju Rembiporuarã Ogapype Categoría-pe

68,756

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #171457 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Clay Moulded Teatro Ryepy Diseño Rehegua

Clay Moulded ha'e peteĩ teatro musical ryepy diseño oĩva Klaipeda, Lituania-pe. Ñai'ũ omo'ã umi tápia ha techo, ha 30 tonelada rasami ko material ojejapo pópe. Pe sala guasu jegua ha'e peteĩ dibujo ndopáiva, oñepyrũva pe koty peteĩ apýragui ha oguahẽva ambue apýra peve. Ojejapo peteĩ tembiapo pokõi jehecha rehegua ko proyecto-pe g̃uarã, oikehápe pe ñehypýi, jegua apo, mombiru, jekytỹ, ñemopotĩ vera ha ñeñongatu. Umi tápia ha techo ikatu ojepe'a ha oñemboty oñemaña hag̃ua pu jere rehe, upéicha pe koty oñemoĩ porã concierto, teatro rembiapo ha aty peguarã. Pe auditorio-pe oguapy kuaa 700 tapicha.

Jeguerohory

A' Design Award Itaju Rehegua

Clay Moulded Teatro Ryepy Diseño ohupyty A' Design Award Itaju, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño primera clase, maravilloso ha sobresaliente-pe. Umi ganador Itaju ha'e creación heta innovador, visionario ha glamoroso ohesape'ỹva ohechaukáva genio, sabiduría ha habilidad umi diseñador-pe. Oñeha'ãrõ Clay Moulded Teatro Ryepy Diseño ha'eha peteĩ invento ojehechakuaavéva, tendencia omoĩva ha monumental ome'ẽva valor ndojehecháiva. Ko diseño ohupytýva A' Design Award Itaju ha'e proyecto espectacular ha respetado ohepyme'ẽva heta ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Clay Moulded Teatro Ryepy Diseño omoheñói sentimiento ipotapy mbarete, omokyre'ỹ pasión, ombokyre'ỹ creatividad ha ñanemombyasy.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Tuichakue ha Ñemyenyhẽ: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Ñe'ẽ Rape: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Ñeapopy Tecnología: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Diseño Jepy'apy: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Ñesẽheka: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Inspiración: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Proyecto Ára Tuichakue: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Mba'apo Rape: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Aty Rembiguái: Architects: Marius Mateika
Ta'ãnga Mba'eñemoneĩ: Photographer: Leonas Garbačauskas