Kadowakamatsu Tembiapo Mba'apoha: Táva Guasu Rembiapo Renda Tomohiro Kaji omba'apóva

Kadowakamatsu Tembiapo Mba'apoha: Táva Guasu Rembiapo Renda Tomohiro Kaji omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Pláta pegua Ñanduti Jejapo Ñeha'ã Categoría-pe.

PlátaÑanduti· 2026

Kadowakamatsu Tembiapo Mba'apoha: Táva Guasu Rembiapo Renda

Tomohiro Kaji -gua

Mba'eporuhára: Kadowakamatsu Inc

A' Design Award Pláta Rembiporuarã Ñanduti Categoría-pe

34,855

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #181494 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Kadowakamatsu Tembiapo Mba'apoha: Táva Guasu Rembiapo Renda Rehegua

Kadowakamatsu Táva Guasu Rembiapo Renda oñemoambue jey ñemongeta óga rehegua omoĩvo yvy ha óga tekoha rembiasakuéramo. Ombojoaju tenda ijerére rehegua, ñe'ẽ jehai apopyre, ha grid ñemboheko sã'i, ha ko'ã mba'e omoambue peteĩ mba'apoha rembiapo renda mombe'upyrã platáforma-pe. Ohechauka táva mba'e repy ohasáva tepykuéra rehegua rupive peteĩ tekove reko ñemongeta ha jehaikuéra rehegua rupive, oheja tape hetáicha jeguereko ha oñemboja hetahágui ñe'ẽ, ta'ãnga, ha tembiapokuéra ndive, omoambue jey mba'éichapa oñehecha táva mba'e repy.

Jeguerohory

A' Design Award Pláta Rehegua

Kadowakamatsu Tembiapo Mba'apoha: Táva Guasu Rembiapo Renda ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Kadowakamatsu Tembiapo Mba'apoha: Táva Guasu Rembiapo Renda ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Kadowakamatsu Tembiapo Mba'apoha: Táva Guasu Rembiapo Renda ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The design challenges conventional real estate communication by replacing property-based value with cultural narratives.

It fuses philosophy, typography, and regional context into a unified narrative system. A custom typeface, editorial composition combining Japanese and Latin scripts, and a restrained grid structure support multidirectional interaction.

Unlike conventional corporate websites, the platform operates as a cultural and editorial system rather than a product-oriented interface. This approach redefines the role of corporate websites from informational platforms to cultural frameworks.

It positions the website as an act of authorship rather than representation.
Tuichakue ha Ñemyenyhẽ: Responsive web platform optimized for desktop and mobile devices. Custom JavaScript-based typographic motion was implemented for the introduction sequence.

A modular grid system based on proportional ratios structures the layout. A custom Latin WOFF font was developed for web use. Vertical and horizontal navigation systems are integrated. The platform operates on cloud-based infrastructure optimized for high-resolution imagery and stable performance.
Ñe'ẽ Rape: Real Estate Branding, Cultural Infrastructure, Corporate Website, Custom Typeface, Editorial Typography, Urban Philosophy, Narrative Design, Interaction Design, Shonan, Digital Architecture
Ñeapopy Tecnología: The project was developed through a narrative-based branding methodology integrating historical research of Fujisawa City, archival study of Kadowakamatsu, and interviews with local stakeholders.

These insights informed the narrative structure. A custom typeface was designed from conceptual sketches to digital font production. The website was built using responsive front-end technologies, modular grid systems, and motion design enabling multidirectional interaction.
Diseño Jepy'apy: The primary challenge was translating an abstract corporate philosophy into a coherent digital experience.

Internally, it required defining the cultural role of a real estate company. Externally, it involved balancing editorial expression with usability and technical constraints.

Developing a custom typeface aligned across Japanese and Latin scripts while maintaining conceptual consistency was particularly complex.
Ñesẽheka: Type of Research: Qualitative design research.
Research Objectives: To redefine real estate communication through cultural positioning.
Methodology: Contextual analysis of the Shonan region and the real estate industry.
Data Collection and Tools: Field observation, stakeholder interviews, archival research, typographic prototyping.
Participants: Company stakeholders and regional collaborators.
Results: Established a clear narrative framework and ideological positioning.
Insights and Impacts: Demonstrated a critical alternative to price-based urban valuation.
Effect: Strengthened brand coherence and contributed to cultural discourse in real estate communication.
Inspiración: The project originated from a critical observation that contemporary real estate practices define urban value primarily through pricing, often neglecting cultural identity.

This condition has contributed to the gradual homogenization of regional cities. Shonan, once a culturally distinctive area, is increasingly shaped by suburban expansion and economic standardization.

In response, Kadowakamatsu explores an alternative perspective by positioning real estate as a cultural construct.

This project questions whether cities should be valued by price or by culture.
It asserts that cultural context, not pricing, should define the identity of a city.
Proyecto Ára Tuichakue: The project started in November 2023 in Kamakura, Japan, and was completed in September 2025. Research, concept development, typeface design, and digital production were conducted in the Kamakura and Shonan regions.
Mba'apo Rape: Users navigate both vertically and horizontally, creating a spatial browsing experience rather than a linear sequence.

The structure begins with a conceptual introduction, followed by projects, philosophy, and organizational information. Typography establishes hierarchy, while spacing introduces rhythm and pause.

The interaction encourages interpretation rather than consumption. The experience prioritizes perception over efficiency.
Aty Rembiguái: Creative Director: Tomohiro Kaji
Copy Writer: Tomohiro Kaji, Yusuke Matsuda
Web Designer: Tomohiro Kaji
Engineer: Tomoya Akai
Ta'ãnga Mba'eñemoneĩ: Illustrator: Chalkboy, Chunco HARAWATA, Photographer: Taisuke Yokoyama