Mobius Pendant Lamp Tesaỹ Ojerereguáva Nhi Ton omba'apóva

Mobius Pendant Lamp Tesaỹ Ojerereguáva Nhi Ton omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Brónse pegua Tatarendy Jejapo Ñeha'ã Categoría-pe.

BrónseTatarendy· 2020

Mobius Pendant Lamp Tesaỹ Ojerereguáva

Nhi Ton -gua

Mba'eporuhára: Nhi Ton

A' Design Award Brónse Rembiporuarã Tatarendy Categoría-pe

16,278

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #87443 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Mobius Pendant Lamp Tesaỹ Ojerereguáva Rehegua

Ko tesaỹ oñemoambuekuaáva ha'e peteĩ resultado diseño aplicado rehegua Nhi Ton jeheka ha mbo'esyry doblez origami yvyty ha hẽ rehegua, umi ohechaukáva ñemomýi, estructura ha flexibilidad. Ko estructura ndive, omoneĩ puruhárape omba'apo hese ha omoambue hera oikove porã haguã hemiañoha ha hemipota rehe. Tesaỹ jeguakaite avei oguereko peteĩ forma específica Moebius Ysyry rehegua, upépe umi superficie yvate ha guype oñembojehe'a peteĩ jehugui pa'ũme rupive, ojehechauka haguã arte rupive umi dimensión teñemimomarã ha teñemimomarã'ỹ ñande experiencia humana rehegua.

Jeguerohory

A' Design Award Brónse Rehegua

Mobius Pendant Lamp Tesaỹ Ojerereguáva ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Mobius Pendant Lamp Tesaỹ Ojerereguáva ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Mobius Pendant Lamp Tesaỹ Ojerereguáva ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This reconfigurable lamp is an applied design result of my research and study on the mountain and valley origami folds which suggest motion, structure, and flexibility. Structure as form, form as structure. The lampshade furthermore takes on the specific form of the Mobius Strip in which top and bottom surfaces are made continuous through the simple expedient of a twist in space as the artistic representation of the conscious and unconscious dimensions of our human experience. Thanks to the structure that the folds created, the lamp can transform the shape to engage user interaction.
Tuichakue ha Ñemyenyhẽ: 610 mm x 305 mm x 1270 mm
Ñe'ẽ Rape: lighting, reconfiguredesign, moebiuspendant, origamilamp, Origamidesign, motionlamp , motiondesign
Ñeapopy Tecnología: The lampshade was made out of a folded single flat sheet of paper covered in linen fabric. The mechanism of the lamp was designed with a combination of simple existing hardware and CNC cut brass plates and discs for containing electrical parts. All parts designed for disassembly, a simple manufacturing process.
Diseño Jepy'apy: Since this is a research about the methodology of origami folds, It was difficult to navigate and plan out specific steps for study at the beginning. However, after getting started, I was driven into this deeply and started to generate testing and testing. It was a very exciting moment and very emotional. Also, designing with several values that I had such as lean manufacturer is also a challenge. However, working with the manufacturer to figure out cost and process helped me to clarify and execute my work.
Ñesẽheka: My project pushes origami capacities beyond the traditional decorative arts. If we use origami principles at a different scale, we can generate geometric forms that are structural, flexible, and dynamic from one flat sheet of material. In this project, I combined the unique qualities of origami, specifically mountain and valley folds, with the concept of lean manufacturing to create a series of meaningful products.
Starting with generating shapes and exploring patterns for creating the structures for strength test, I came up with three seating objects out of 6 pieces of scored and folded papers that could hold 230 lbs. This exploration helped me to learn about the personality of the folds and materials, the ratio between thickness and length of the fold and how it affected the strength of shape. The area that folds converged was the strongest and how I could make use of the density later on in the design ideation phase.
After the exploration, I started finding ways to apply my origami understanding to design new products focusing on using origami properties at a larger scale, in the creation of a product that utilizes minimal material and a single, refined manufacturing process.
I collaborated with Weber, packaging, and display design company, to gain insights about the manufacturing process including materials, cost, production time, energy efficiency, zero to minimal waste.
Inspiración: As in the Taoist principle of dynamic reconciliation of opposites we know as yin yang, my pleated work of paper and fabric elegantly folds together solid and void, surface and depth, light and dark, strong and fragile, perhaps male and female and Eastern and Western, to create beautiful yet practical pieces of furniture. This project emphasizes the value of such basic mountain and valley origami folds and applies its fundamental to design products.
Proyecto Ára Tuichakue: The project started from August 2018 to April 2019 at the University of the Arts, and was exhibited in AIA Architecture and Design Center in May 2019.
Mba'apo Rape: Used as a pendant light or decorative statement piece. Users can easily adjust the shape of the lampshade to fit their environment and interest by rotating two triangle plates.
Aty Rembiguái: Nhi Ton
Ta'ãnga Mba'eñemoneĩ: Nhi Ton
Matt Kullman