Zig Apyka'i Jules S. Jaffe omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Fiero pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

FieroMba'epyru· 2020

Zig Apyka'i

Jules S. Jaffe -gua

Mba'eporuhára: Jules S. Jaffe

A' Design Award Fiero Rembiporuarã Mba'epyru Categoría-pe

11,839

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #89459 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Zig Apyka'i Rehegua

Ko diseño oñemohenda ojesareko ojehechauka hag̃ua yvyra mba'e iñambuéva técnico apañuãi ryepýpe oikotevẽva porãite ha tembiapo porã avei. Jules S. Jaffe-pe g̃uarã, kóva ha'e apañuãi mueble ñemoheñóipe. Apañuãi ko'ápe ha'e ome'ẽ tekosakã ha mbarete oñembyaty hag̃ua pyhũ ha tensión ñeñandu diseño pahápe. Apyka'i ojejapovaekue oguereko mbarete techapyrãva ha avei oguereko pyhũ ha py'aguapy ñeñandu geometría ome'ẽva, oñepyrũmbýva Pitagóricos-gui umívagui diseñador

Jeguerohory

A' Design Award Fiero Rehegua

Zig Apyka'i ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Zig Apyka'i ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Zig Apyka'i oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
Tuichakue ha Ñemyenyhẽ: 505 x 185 x 180
Ñe'ẽ Rape: stool, chair, sitting device
Ñeapopy Tecnología: The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
Diseño Jepy'apy: The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
Ñesẽheka: As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
Inspiración: Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
Proyecto Ára Tuichakue: The project took 2 years to execute in a workshop in La Jolla, CA, USA.
Mba'apo Rape: Simply sit on it.
Patente-kuéra: None
Aty Rembiguái: Jules S. Jaffe (only)
Ta'ãnga Mba'eñemoneĩ: Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.