Chair of Soul Apyka Wen Jenq Cherng omba'apóva

Chair of Soul Apyka Wen Jenq Cherng omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Brónse pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

BrónseMba'epyru· 2020

Chair of Soul Apyka

Wen Jenq Cherng -gua

Mba'eporuhára: Cherng's Work

A' Design Award Brónse Rembiporuarã Mba'epyru Categoría-pe

12,937

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #91651 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Chair of Soul Apyka Rehegua

Chair of Soul ha'e peteĩ apyka ojejapo vaekue ombohorãvo tete oĩ porãve hag̃ua oñemyakãngue añete. Apyka yvate, atukupehegua apyka pe kupiicha, ha po ryepýpe oĩva ojagarra pe tete yguatã pohýi. Pe apyka kupiicha karape'ivéva ombohapevu pe tete rechaka ha omopotĩ pe atukupe, ajúra, kupii ha tembeguéva iporãve hag̃ua. Ming Dynasty múa yma guare mba'e apytu'ũ pyahu omoheñói pe apyka tekotevẽ ha jekupytyva'e. Ébano Sulawesi guigua ojejapo pe apyka rete guasuvéva, oñembojoaju hendive pe copre rehegua py'aitépe ha peteĩ apyka morotĩ'akỹ Nappa kuéra piru rehegua. Mortiza ha tenón kuéra oñemoĩ ojoapytépe, ha peteĩ arco ombojoaju pe py'aitépe pe apyka rehe.

Jeguerohory

A' Design Award Brónse Rehegua

Chair of Soul Apyka ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Chair of Soul Apyka ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Chair of Soul Apyka ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Tuichakue ha Ñemyenyhẽ: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Ñe'ẽ Rape: Product, Chair, Health, Oriental, Furniture
Ñeapopy Tecnología: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Diseño Jepy'apy: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Ñesẽheka: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Inspiración: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Proyecto Ára Tuichakue: The project started in December 2016 and finished in December 2018.
Mba'apo Rape: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Aty Rembiguái: Designer: Wen-Jenq Cherng