Plycelain Tarin Kayan Cin Abinci daga Yuting Chang

Zane Plycelain Tarin Kayan Cin Abinci daga Yuting Chang mai nasara ne mai daraja sosai na 2021 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Kayan Dafa Abinci.

ZinariyaKayan Dafa Abinci· 2021

Plycelain Tarin Kayan Cin Abinci

daga Yuting Chang

Abokin Ciniki: Yuting Chang

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Kayan Dafa Abinci

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Launuka

Ƙirar

Game da Plycelain Tarin Kayan Cin Abinci

Plycelain - kalmar da Yuting Chang ya ƙirƙira ta haɗa plywood da porcelain - shine tarin kayayyakin sha masu yadudduka da yawa da aka ƙera ta hanyar zubar da yumbu. Chang ya ƙirƙiri sigar zamani na kayan yumbu masu launin shuɗi da fari ta hanyar amfani da fasahar zubar da yumbu, fasahar samar da kayan yumbu a yawan adadi. Ta daidaita tsarin zubar da yumbu, yadudduka suna tasowa, kuma ana ganin layukan shuɗi masu kyau a saman da aka yanke, wanda ke nuna kyakkyawar alaƙa tsakanin sassan da aka haɗa.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen Plycelain Tarin Kayan Cin Abinci ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen Plycelain Tarin Kayan Cin Abinci ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen Plycelain Tarin Kayan Cin Abinci yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Plycelain -a term coined by the designer combining plywood and porcelain- is a collection of multilayered slip casting drinkware. The designer creates a contemporary version of blue and white ware through applying slip casting, the mass-production technique of ceramics. By adapting the process of slip casting, layers form, and subtle blue lines are exposed on the cut surfaces, which emphasize the beautiful relationship between assembled parts.
Girma da Fakitin: Cup : 114 x 89 x 70 (mm)
Big Saucer : 133 x 133 x 13 (mm)
Bowl : 114 x 114 x 60 (mm)
Espresso Cup : 70 x 93 x 53 (mm)
Small Saucer : 114 x 114 x 13 (mm)
Kalmomin Alama: Tableware, Porcelain, Slipcasting,
Fasahar Samarwa: Slipcasting, Porcelain
Ƙalubalen Zane: The challenge was each layer of the pieces requires precision and good timing to form a proper thickness during slip casting. Also, the assembling and fettling works before bisque firing are crucial.
Bincike: Blue-and-white ware was the most classic and influential type of Chinese porcelain before industrialization. After the invention of mass production techniques, porcelain ware can be slipcasted, and embellishments can be applied by transfer-printing. The manufacturing process is about large quantities of standardized products and unconcerned with the aesthetics of craftsmanship. The designer asked herself: how to utilize mass production techniques while keeping the genuineness of the craftsmanship spirit and create a new version of blue-and-white?

The designer tries to find the balance between tradition and modernity by transforming mass production techniques- slipcasting. She started with the idea of creating a pattern without actually painting on the clay like the traditional way. Gradually, the concept of patterning by layering casting formed.

Unlike traditional decorative blue-and-white, which embellishments are glazed on the outer surface, the patterns on Plycelain are composed of the cross-section of each functional component, such as mugs’ handles and saucers’ feet. The delicate blue lines are embedded internally during the process of slipcasting and become visible where the pieces are trimmed into shape during assembly. The subtle lines bring out the beautiful relationship between assembled parts and make this collection a unique tableware design.
Wahayi: The modern update of the blue-and-white porcelain is not only regarding the appearance but also about the manufacturing process. After the invention of mass production techniques, porcelain-ware can be slipcasted, and embellishments can be applied by transfer-printing. The designer tries to find the balance between tradition and modernity by utilizing mass production techniques while keeping the genuineness of the craftsmanship spirit.
Tsawon Lokacin Aikin: The project started in December 2017 in Chicago and finished in 2018.
Tsarin Aiki: Plycelain is a tableware collection, including a cup set (with big saucer), an espresso cup set (with small saucer), and a Bowl. The design of Plycelain tableware collection is understated and humble, yet with a second look, the meticulous and innovative craftsmanship is not quiet at all.
Godiyar Hotuna: Image #1: Photographer Yuting Chang, Plycelain, 2019.
Image #2: Photographer Yuting Chang, Plycelain, 2019.
Image #3: Photographer Yuting Chang, Plycelain, 2019.
Image #4: Photographer Yuting Chang, Plycelain, 2019.
Image #5: Photographer Yuting Chang, Plycelain, 2019.