Tsallaka zuwa abun ciki
Esfahan Gadar Masu Tafiya da Kafa daga Mohammad Rahimizadeh and Shaqayeq Nemati

Zane Esfahan Gadar Masu Tafiya da Kafa daga Mohammad Rahimizadeh and Shaqayeq Nemati mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Gine-gine.


TagullaGine-gine· 2022

Esfahan Gadar Masu Tafiya da Kafa

daga Mohammad Rahimizadeh and Shaqayeq Nemati

Abokin Ciniki: Kalbod Studio

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Gine-gine

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #137566

Launuka

Ƙirar

Game da Esfahan Gadar Masu Tafiya da Kafa

Esfahan gadar masu tafiya da kafa ce da aka tsara don wani wuri a Isfahan, Iran. Gadar tana haɗa cibiyar cinikin fasaha da lambun gidan tarihi kuma tana hidima ga jami'o'i, cibiyoyin bincike da masana'antu da ke kusa. An shirya zauren nuni, filayen tsakiya da wuraren hutawa a bakin hanyar, don haka ƴin gadar tana kuma aiki a matsayin sararin jama'a. Fasalinta yana nuna alaƴa da gadoji na tarihi na Isfahan, ciki har da gadar Khajoo. An yi amfani da daidaiton madubi, don haka facade da hotonta a kan kogin suna samar da tsari ɗaya cikakke. Wuraren cikin gida suna da sassauci kuma za su iya ɗaukar amfani daban-daban.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Esfahan Gadar Masu Tafiya da Kafa ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Esfahan Gadar Masu Tafiya da Kafa ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Esfahan Gadar Masu Tafiya da Kafa yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman
Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Girma da Fakitin
1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Kalmomin Alama
Technology , bridge , Exhibition , Recreational , tourism , iran
Fasahar Samarwa
In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Ƙalubalen Zane
In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Bincike
Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Wahayi
In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Tsawon Lokacin Aikin
esfahan - iran
Tsarin Aiki
According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Mambobin Ƙungiya
Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -

Tallafi

Bincika Bayan Designers.org

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