Zane Raices Kayan Ado Mai Dorewa daga Mayte Ossorio Domecq mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Kayan Ado.
TagullaKayan Ado· 2022
Raices Kayan Ado Mai Dorewa
daga Mayte Ossorio Domecq
Abokin Ciniki: Maison Domecq
Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ado
Mai Nasara da Aka Tabbatar
Tabbatar da Matsayin Kyauta na #139361Ƙirar
Game da Raices Kayan Ado Mai Dorewa
Zane na layin Raices yana fitowa daga buƙatar sake amfani da dubunnan ɓangarorin fata na sabon fata daga masana'antar takalmin aminci, wanda aka watsar kowace rana don rashin amfani. Don sake amfani da su, mai zanen ya mayar da hankali kan neman dabarun da za su ba da damar samun mafi kyawun kyawun su da aikin su, gano wahayi a cikin fuka-fukan tsuntsaye, da ma'auni, masu tsalle-tsalle da haɗuwa. Domin fadada palette mai launi, an kuma yanke shawarar sake amfani da fata daga wasu kamfanoni.
Amincewa
Game da Kyautar A' Design Award ta Tagulla
Zanen Raices Kayan Ado Mai Dorewa ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Raices Kayan Ado Mai Dorewa ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Raices Kayan Ado Mai Dorewa yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.
Bayan Ƙirar
Kayan Manema Labarai
Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.
- Siffofi Na Musamman
- The design of the Raices line was conceived from a sustainable point of view, through the reuse of the oval left over from the Ombu safety boots.
The goal: the generation of unique pieces through craftsmanship, maximizing its use and the ability to generate different patterns from color changes.
We sought to minimize the reading of the difference between the ovals.
The staggering allowed to minimize the differences and to take the thicknesses as a fundamental part in the generation of value and also to generate rigidity, greater solidity to the proposed pieces. - Girma da Fakitin
- dimensions depending on the piece
Hoops 75 x 85mm
Bracelet 255 x 70mm
Necklace 400 x 65mm
Headband 135 x 65 mm
Packaging 200 x 150 cm - Kalmomin Alama
- sustainability, leatherjewelry, sustainablejewelry, ecofriendly, sustainable, slowfashion, zerowaist
- Fasahar Samarwa
- The elaboration of this entire collection is done manually, reusing small leather ovals left over from Ombu safety boots, as well as small remnants from different local leather goods companies.
It is done by hand cutting and gluing, as can be seen in the video and in some cases the incorporation of studs or rivets that add light and reinforce its character. - Ƙalubalen Zane
- It is always a challenge to work from a given shape. The work concentrates on finding its beauty and functionality. Finding the latent message of these materials, their proportion and then, the design.
The boots are made in black, brown and white. This color limitation, led us to take as an opportunity the use of small scraps from other companies, thus expanding the palette and the saleability of the pieces.
Integrating the concept of corporate social responsibility and rescue of crafts. - Bincike
- This line emerged in response to the need to reuse small scraps of discarded leather, for which its development was limited to direct experimentation.
Technique used: scaling, a resource that can be assimilated to the natural structures already known, minimizing the differences in size between the ovals and, in turn, taking the thicknesses as a fundamental part of the generation of value.
The objective: the generation of unique, handcrafted and durable pieces. Making the most of scraps. Expand the offer of the same piece through changes in the possible patterns by means of color changes. - Wahayi
- The inspiration for this line comes from the scales on the wings of birds. That overlapping that gains character with changes in color and depth. It was the technology of the use of a certain raw material, the leftover ovals from the manufacture of boots, which led us to look for the latent language in this material and its possible uses for the formal generation. The colors would appear later when this resource allowed us to recover very small scraps of leather from other companies.
- Tsawon Lokacin Aikin
- This process of recovering materials began in 2012, incorporating new pieces and new colors year after year. Different pieces of this collection have been exhibited at the Fairs: Expocomer Panama 2014 Maison et Objet 2014-2015-2016-2017 They have been sold to the SF MOMA, Japan and France until today
- Tsarin Aiki
- This object is easy to access, easy to use and does not require help to handle it. Although this material requires certain care: do not wet, do not use alcohol and take care of it with bitumen or wax to increase its durability.
- Haƙƙoƙin Ƙirƙira
- no yet
- Godiyar Hotuna
- Image No 1 PH Maru Somoza
Image No 2 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare
Image No 3 PH Mayte Ossorio Domecq
Image No 4 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare
Tallafi
Bincika Bayan Designers.org
Gano kayayyaki, ayyuka da damammaki daga abokan tallafin mu.
Ƙarin Abubuwan Bincike
Ƙirare Masu Alaƙa
Bincika ƙarin ƙirare masu lashe kyauta daga wannan rukunin, waɗanda aka zaɓa bisa cancanta.