Zane Bio Kujerar Hannu daga Vladimir Zagorac mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Ƙirar Kayan Ɗaki.

TagullaKayan Ɗaki· 2022

Bio Kujerar Hannu

daga Vladimir Zagorac

Abokin Ciniki: Vladimir Zagorac

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ɗaki

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #140098

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Bio Kujerar Hannu

Bio wani tarin kujerun hannu ne masu ƙasƙanci da aka tsara don amfani a cikin gine-ginen zamani. Buɗewar da ke bayan kujerar tana tunatar da ganye ko harsashi, kuma sifar tana canzawa kusa da gefen waje zuwa wani salo mai kama da furen shukar Calla aethiopica. Wannan gefen yana lanƙwasa kaɗan zuwa baya kuma yana tashi a wani gefe, yana haifar da siffa mara daidaito. Rashin daidaiton yana faruwa ne kawai a sassan waje na sifar, don haka an kiyaye jin daɗi da ilimin ergonomics. Kayan da aka yi amfani da su sun haɗa da robobin thermoplastic da aka tsara, ƙarfe, aluminum da aka jefa, itacen oak da fata.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Bio Kujerar Hannu ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Bio Kujerar Hannu ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Bio Kujerar Hannu yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Girma da Fakitin: Width / Depth: up to 680mm, Height: 849mm (medium)
Kalmomin Alama: Asymmetry, Natural, Bio-form, Growth, Stylization
Fasahar Samarwa: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Ƙalubalen Zane: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Bincike: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Wahayi: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Tsawon Lokacin Aikin: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Tsarin Aiki: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Haƙƙoƙin Ƙirƙira: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Mambobin Ƙungiya: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Godiyar Hotuna: Vladimir Zagorac, Faculty of Applied Arts in Belgrade