Life Forms of Colors Fasaha ta Dijital daga Yuko Suzuki

Zane Life Forms of Colors Fasaha ta Dijital daga Yuko Suzuki mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Ƙirƙira ta Kwamfuta.

AzurfaƘirƙira ta Kwamfuta· 2025

Life Forms of Colors Fasaha ta Dijital

daga Yuko Suzuki

Abokin Ciniki: Civic Creative Base Tokyo (CCBT)

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Ƙirƙira ta Kwamfuta

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #170854

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Life Forms of Colors Fasaha ta Dijital

Wannan aikin raye-rayen hoto ne wanda ke nuna tsarin rushewar da sake gina pixels a gani. Manufar wannan aikin ta fara ne lokacin da mai zanen, wanda mai buga hoto ne, ya so ya ƙirƙiri hoton yanayin ƙasa kuma ya yi tunani ko zai iya samun rarrabuwar launuka ta hanyar coding. Pixels ɗin suna bayyana kamar ƙwayoyi, suna motsi don ƙirƙirar sababbin siffofi da launuka, suna wakiltar manufofin Jafananci na Kasane (tari) da Zurashi (juyawa). Suna kuma alamar sauye-sauyen daban-daban da mutum zai iya fuskantar, suna bayyana bambanci da sassauci a cikin dukan aikin, kuma suna nuna haɗuwar al'ada da fasaha.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Life Forms of Colors Fasaha ta Dijital ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Life Forms of Colors Fasaha ta Dijital ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Life Forms of Colors Fasaha ta Dijital ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Girma da Fakitin: LED screen 4m × 4m, 10 minutes 30 seconds
Kalmomin Alama: Generative Art, Coding
Fasahar Samarwa: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Ƙalubalen Zane: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Bincike: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Wahayi: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Tsawon Lokacin Aikin: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Tsarin Aiki: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Godiyar Hotuna: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].