Zane Weaving Wood Kabinet daga ZKW Studio mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Ƙirar Kayan Ɗaki.

TagullaKayan Ɗaki· 2025

Weaving Wood Kabinet

daga ZKW Studio

Abokin Ciniki: ZKW Studio

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ɗaki

13,586

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #172721

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Weaving Wood Kabinet

Kabinetin Saƙan Itace wani kabinet ne na itacen walnut mai siffar trapezoid wanda ke da bangarori uku na gefe waɗanda aka gina su da yaɗin walnut da aka saƙa. Yawan saƙar yana bambanta a saman, yana haifar da canjin kauri a hankali. Wannan tsarin aikin hannu, wanda ba za a iya cimma shi ta hanyar injina ba, yana haɗa ƙarfin tsarin itace da sassauƙin yadi. Lokacin da hasken rana ya haskaka shi, saman yana yin inuwa mai yawa, kuma jerin tsarin ƙwayar itacen yana ba da gudummawa ga daidaiton salon gani.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Weaving Wood Kabinet ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Weaving Wood Kabinet ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Weaving Wood Kabinet yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This piece of furniture employs a unique weaving technique that integrates walnut veneer into textile, transforming the originally fabric into a unique screen. When exposed to sunlight, the woven surface casts delicate and beautiful shadows. Weaving veneer into textile is a unique technique that machines are not capable of doing. Each wooden board undergoes a meticulous selection based on its grain and color, building a consistent sense of nature beauty.
Girma da Fakitin: W * D * H : 508 * 304 * 1118 mm
Kalmomin Alama: Cabinet, Veneer Textile, Furniture, Material Innovation, Indoor Furniture
Fasahar Samarwa: This cabinet is entirely handcrafted from walnut, including the textile panels on both sides, which are woven from a combination of cotton thread and walnut veneer. The technique of integrating wood veneer into textile weaving is a process that cannot be replicated by machines. Due to the hardness and thickness of the walnut veneer, the tension of the weave must be carefully and continuously adjusted—tight enough to securely hold the veneer strips in place, yet flexible enough to maintain structural integrity without causing displacement.
Ƙalubalen Zane: The project posed creative and technical challenges, particularly in adapting thick wood veneer for weaving. Wood veneer lacks the tension typically required by a loom and thread fabric, making it necessary to carefully calculate the spacing between each column to maintain a good structure. Beyond the textile, the frame designed to hold the textile became another big technical challenge. Though the grooves are invisible from the outside, there are 28 hidden channels that secure the woven surface in place. Due to their seamless requirement and the thinness of each wooden board, cutting precise grooves along narrow edges proved fine-tuned craftsmanship, merging material research with construction precision.
Bincike: The project is rooted in a deep investigation of materials and making techniques, centering on a textile innovation that integrates thin walnut veneer into a woven structure using a loom. The process involved extensive experimentation, beginning with a series of prototypes that tested veneer thicknesses, thread weights, and weaving patterns. A key challenge was preserving the tension necessary for weaving while accommodating the rigidity of wood—an issue resolved through careful calibration of spacing, tension, and structural support.

Traditional weaving tools were adapted for this process, with each strip of veneer hand-cut and softened for flexibility before being woven alongside cotton thread. Machines proved incompatible with the delicacy and precision required, making the technique entirely dependent on manual craftsmanship. The final textile achieves both strength and fluidity, allowing the wood grain to appear continuous across a pliable surface.

In parallel with material research, the project draws on classical furniture forms—particularly the trapezoidal cabinet, a shape now rare in contemporary contexts. Reinterpreted through this new textile language, the form is both familiar and reimagined, merging historic references with a distinctly modern sensibility.
Wahayi: Inspired by the balanced spirit of nature, this cabinet reinterprets a classic trapezoidal form with three side panels composed of walnut veneer textile. The veneer is woven more densely near the frame, creating a visual and tactile gradient , not only in the viewing but also in the tactile experience. By blending rigid walnut with flexible textile, the piece explores harmony through material, offering a unique sensory experience that invites closer interaction and touch.
Tsawon Lokacin Aikin: The project started in October 2023 and finished in March 2024 in United States, and was exhibited in ICFF WANTED in May 2024.
Tsarin Aiki: The cabinet features a slender profile suited for storing small objects, making it well-suited to living spaces and compact interiors. Its low height allows it to sit neatly beside a television, serving as a functional storage piece. Designed to be freestanding, the cabinet reveals its tactile quality when illuminated. Sunlight filtering through the woven textile creates a soft interplay of light and shadow. The pale-toned fabric responds gently to natural light, introducing a sense of airy and a renewed lightness to the surrounding space.
Mambobin Ƙungiya: Textile Partner: Huining Liu