Ramesh Aikin Farko: Kujerar Hannu daga Sepideh Bayat and Mohammadali Nemati

Zane Ramesh Aikin Farko: Kujerar Hannu daga Sepideh Bayat and Mohammadali Nemati mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Ƙirar Kayan Ɗaki.

TagullaKayan Ɗaki· 2025

Ramesh Aikin Farko: Kujerar Hannu

daga Sepideh Bayat and Mohammadali Nemati

Abokin Ciniki: Sepideh Design Studio

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ɗaki

15,066

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #172806

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Ramesh Aikin Farko: Kujerar Hannu

Rubutun Littafi: Ramesh kujera ce ta hannu wacce aka samo asalinta daga tsayuwar tsayayye ta gazelle. Kujerar ta kunshi manyan sassa biyu. Tsarin baya yana mikewa daga kafafun baya zuwa hannayen kujera da bayan zama, yana samar da baka mai cigaba. Tsarin gaba yana tabbatar da daidaito kuma an haɗa shi da haɗin katako mai zagaye da haɗin rivet mai ƙarfi. Hannayen kujera masu kama da kofi da bayan zama mai siffa, mai rabe-rabe suna tallafawa jin daɗi na ergonomic. Firam din an yi shi da itace mai ƙarfi, wanda aka siffanta ta hanyar milling da kwamfuta ke sarrafa sannan aka gyara shi da hannu, yayin da rufin kujerar fata ne.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Ramesh Aikin Farko: Kujerar Hannu ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Ramesh Aikin Farko: Kujerar Hannu ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Ramesh Aikin Farko: Kujerar Hannu yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The form mirrors the poised stillness of a gazelle,capturing both its muscular endurance and its gentle,fluid movement.The chair is composed of two main elements:The rear structure,which extends from the back legs to the armrests and backrest, forming a continuous arc.The front structure ensures stability,joined by wooden-metal joints and durable connectors for seamless cohesion.The cup-like armrests invite relaxation,while the contoured,segmented backrest ensures ergonomic comfort and visuall.
Girma da Fakitin: Height: 780mm Width: 620mm Depth: 680mm
Material: Hardwood frame, premium leather upholstery
Joinery: Cylindrical wood joints with reinforced rivet connectors
Kalmomin Alama: contemporary furniture, wood and leather chair, ergonomic design, architectural furniture, exclusive design, Sculptural chair, luxury seating
Fasahar Samarwa: Its bold structure conveys a sense of gravity and presence, while its finely sculpted lines soften this assertion, revealing an underlying elegance. The form mirrors the poised stillness of a gazelle, capturing both its muscular endurance and its gentle, fluid movement. The chair is composed of two main elements. The realization of Ramesh required a fusion of advanced digital modeling, traditional woodworking, and precision upholstery craftsmanship. The frame should be constructed from high-quality hardwood, shape with CNC precision and refine by hand to maintain the organic flow of its contours. The leather elements are meticulously selected and should stitch to ensure longevity and luxurious comfort. The connection points are engineered for both visual harmony and durability, seamlessly integrating into the form without disrupting its purity.
Ƙalubalen Zane: One of the greatest challenges in crafting Ramesh was achieving a structure that maintains its bold, heavy presence while expressing a sense of refined lightness. The seamless transition between the backrest, armrests, and rear legs required meticulous engineering, ensuring that the material thickness and curvature would support weight without compromising visual elegance. The integration of organic, sculptural form with strict ergonomic function demanded a balance between traditional craftsmanship and digital precision. Another challenge lay in ensuring that the chair's two main structural components, the front and rear sections, could be assembled in a way that maintains the illusion of continuity while also allowing for stability and flexibility in production. Through extensive prototyping, the final design achieves a sublime balance of form, function, and artistry.
Bincike: The conceptual foundation of Ramesh was built upon the study of biomorphic forms, architectural movement, and high-end craftsmanship. Extensive research into animal biomechanics, particularly the motion and stance of gazelles, informed the chair's overall posture. Additionally, explorations into luxury automotive design, notably the aerodynamic curves of a 1990 Porsche's rear wheel arches, inspired the seamless flow of the chair's form. Materials research emphasized sustainability and longevity, ensuring that the wood and leather used in the chair not only enhance its aesthetic value but also align with ethical craftsmanship. The chair was developed with an understanding of how balance and elegance can coexist in furniture, borrowing principles from both classical and modernist design philosophies.
Wahayi: Inspired by the poised elegance and dynamic stillness of a gazelle, Ramesh is a statement of power, movement, and balance. The design captures the tension between fluidity and solidity, translating the graceful arcs of a gazelle's hind legs into a chair that embodies strength and sophistication. The chair's dual-component structure symbolizes the harmony of opposites, bold yet refined, structured yet flowing, assertive yet inviting. Wood flows into leather, blending nature, craft, and luxury.
Tsawon Lokacin Aikin: The project was conceived in Philadelphia, USA and Tabriz, IRAN simultaneously, and developed over an extensive design phase, ensuring precision in materiality, craftsmanship, and ergonomic refinement for constructing phase.
Tsarin Aiki: Designed for contemplation and comfort, Ramesh invites the user into a refined experience of sitting. The carefully sculpted seat cradles the body, while the upward-sweeping backrest subtly encourages proper posture. The arc-like transitions of the frame create a dynamic engagement between user and object, making the act of sitting feel intentional and elevated. The leather components add an element of tactile luxury, allowing the user to fully immerse themselves in the experience of the chair's Timeless form.
Mambobin Ƙungiya: Designer: Sepideh Bayat
Designer: Mohammadali Nemati
Godiyar Hotuna: Image #1: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #2: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #3: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #4: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #5: Illustrator Ehsan Razavi, Ramesh, 2025.
Image #5: Illustrator Ehsan Razavi, Ramesh, 2025.