Yoshinogawa Valley Gyaran Ginin Hedkwata daga Wataru Sato

Zane Yoshinogawa Valley Gyaran Ginin Hedkwata daga Wataru Sato mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Gine-gine.

TagullaGine-gine· 2026

Yoshinogawa Valley Gyaran Ginin Hedkwata

daga Wataru Sato

Abokin Ciniki: KITAOKA Group

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Gine-gine

7,887

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #175868

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Yoshinogawa Valley Gyaran Ginin Hedkwata

Wannan aikin gyara ne na ginin ofis da aka riga aka kera mai shekaru 40 ba tare da rushewa ba. An saka wani fili mai tsawon mita 50 a tsakiyar ginin da ake da shi, wanda ya yi daidai da hanyar gabas-yamma ta Kogin Yoshino, wanda ya sake tsara ginin zuwa fikafikai biyu na arewa-kudu. An sanya wa wannan aikin sarari suna Kwarin Kogin Yoshino, kuma shi ne kashin bayan wannan zane na gine-gine. Tagar rufi mai fuskantar arewa tana ba da hasken rana mai daidaito, yayin da ake samar da iska ta halitta ta hanyar bambancin tsayi da matsin lamba. Ta hanyar sake tsara ginin, aikin ya guji raba dabi'un da yake tallafawa.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Yoshinogawa Valley Gyaran Ginin Hedkwata ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Yoshinogawa Valley Gyaran Ginin Hedkwata ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Yoshinogawa Valley Gyaran Ginin Hedkwata yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Inspired by the Yoshinogawa River, the design translates the structure of a valley into architecture. By dividing the existing building into two volumes and inserting a linear void, a valley-like interior is created.
A 50-meter skylight brings daylight inside, while the void enables ventilation, greenery, and social interaction. This configuration integrates environmental elements into the workplace.
Through renovation, the design reinterprets an existing office and proposes a new spatial model.
Girma da Fakitin: A valley-like void and continuous skylight are introduced at the center of a 50-meter prefabricated office building. The two-story void brings daylight to the ground floor and enhances natural ventilation.
A 7-meter Benjamin fig tree is placed at the center, visible from both levels. Planting along the void forms a layered green environment connected to the exterior.
Existing structure and finishes are retained, creating a composition where old and new materials coexist.
Kalmomin Alama: Prefabricated office renovation, open lounge, atrium and skylight, regional architecture, nature-inspired workspace, Yoshino River
Fasahar Samarwa: The project renovates an existing prefabricated office building without demolition.
A central valley-like void integrates daylight, ventilation, and greenery. Continuous skylights provide stable north light, while passive ventilation is driven by height and pressure differences.
Spatial organization is redefined as an environmental system, reducing reliance on mechanical equipment. Existing structure and finishes are retained, forming a layered expression and a sustainable model for reuse.
Ƙalubalen Zane: The primary challenge was to renew the environmental and social value of a deteriorated prefabricated office without demolition or new construction.
Introducing a skylight and central void into an enclosed structure required coordination of structural, safety, and cost constraints.
Rather than relying on equipment, the design redefines spatial organization as an environmental system.
The project shows that architectural operations can generate new value within existing buildings.
Bincike: This research examines how renovation can achieve environmental performance comparable to new construction.
A skylight and central void introduce daylight and passive ventilation, reducing reliance on mechanical systems.
Monitoring shows that artificial lighting is unnecessary during daytime and HVAC demand is reduced. Annual energy decreased by about 73,000 kWh, with savings of 65% in lighting and 30% in air conditioning.
The project presents a replicable model for sustainable renovation.
Wahayi: The project draws inspiration from the Yoshinogawa River, known as the Mother River of Tokushima.
Rather than referencing its form directly, the design interprets the river as a spatial structure.
By inserting a linear void through the existing building, the architecture transforms the logic of a valley into an interior condition, bringing light, wind, and greenery deep into the space, while also inviting relationships among people, families, and the local community.
Tsawon Lokacin Aikin: The project started in January 2023 in Miyoshi Town, Tokushima Prefecture, Japan, and was completed in August 2024.
Tsarin Aiki: The building transforms a closed office into an open environment accessible to families and the local community.
The central valley acts as a social axis supporting movement, staying, and interaction. The ground floor serves as a shared space, while the upper floor provides flexible work areas.
Users are not assigned fixed workplaces but choose spaces as needed. Through everyday use, the project encourages informal encounters and redefines how work and social life coexist.
Godiyar Hotuna: Image #1: Photographer Keita Yamamoto (Architectural Photography), Kitaoka Group Headquarters Renovation, 2024.
Image #2: Photographer Keita Yamamoto (Architectural Photography), Kitaoka Group Headquarters Renovation, 2024.
Image #3: Photographer Keita Yamamoto (Architectural Photography), Kitaoka Group Headquarters Renovation, 2024.
Image #4: Photographer Keita Yamamoto (Architectural Photography), Kitaoka Group Headquarters Renovation, 2024.
Image #5: Photographer Keita Yamamoto (Architectural Photography), Kitaoka Group Headquarters Renovation, 2024.