Art Omi Deconstructive Utopia Gidan Baje Kolin Zane daga Daria Yang Du

Zane Art Omi Deconstructive Utopia Gidan Baje Kolin Zane daga Daria Yang Du mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Gine-gine.

AzurfaGine-gine· 2026

Art Omi Deconstructive Utopia Gidan Baje Kolin Zane

daga Daria Yang Du

Abokin Ciniki: DD Studio

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Gine-gine

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #176619

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Art Omi Deconstructive Utopia Gidan Baje Kolin Zane

Art Omi Deconstructive Utopia gini ne na gidan baje kolin zane da nune-nune a yankin Hudson Valley, wanda ya mamaye kusan murabba'in ƙafa 12000. An siffanta harsashin kwalta mai lanƙwasa ta hanyar nazarin fitar da iska daga balan-balan, kuma an zuba shi da kwauri da aka sassaƙa da na'urar CNC don samun madaidaicin lanƙwasa. A tsakiya, an kiyaye wani fili mai siffar da'ira a matsayin babban wurin baje koli da ƙofar shiga ta jama'a. Wata hanya na gudana daga yamma zuwa gabas, tare da wuraren tarurruka a gefenta, kuma tana ƙarewa a bakin tafki. Ɗakunan aiki masu rataye suna amfani da firam-firam na ƙarfe masu sauƙi da aka lulluɓe da itace. An lulluɓe cikin ginin da alluna na katako masu ɗumi waɗanda kuma ke inganta sauti.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Art Omi Deconstructive Utopia Gidan Baje Kolin Zane ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Art Omi Deconstructive Utopia Gidan Baje Kolin Zane ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Art Omi Deconstructive Utopia Gidan Baje Kolin Zane ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Beginned by an experimental process of morsal-folly finding process to explore form and movement, the Art Omi Design Gallery reinterprets kinetic gestures into architectural space. The design transitions from a linear system of tensioned strings to a centralized spherical volume, carved out and preserved as the main exhibition space and public entrance. This void becomes the anchor of spatial experience, emphasizing a fluid internal circulation that guides visitors across the site.
Girma da Fakitin: Size: 12000ft²
Kalmomin Alama: Balloon Experiment, Yarn Grid, Deflation Studies, Form-Finding, Curved Concrete, Spatial Void, Floating Studios, Circulation Path, Cultural Landmark, Landscape Integration, Lightness and Memory, Architecture and Movement
Fasahar Samarwa: The gallery is built as a curved concrete shell shaped by balloon deflation studies, using CNC-milled formwork for precise curvature. Warm timber panels line the interiors, enhancing acoustics and contrast with the concrete mass. Suspended studios use lightweight steel frames clad in wood, appearing to float above. Foundations integrate with the lakeside landscape, anchoring the structure while respecting natural topography.
Ƙalubalen Zane: The challenge was translating a fleeting balloon-and-yarn experiment into a permanent architectural system. Capturing the dynamic shift from expansion to deflation required rethinking geometry, circulation, and structure. Preserving the spherical void while adapting the shifting yarn grid into concrete and timber demanded both technical precision and conceptual clarity, turning ephemeral gestures into a coherent, inhabitable cultural landmark.
Bincike: Each material guided form-finding through its properties. In balloon and yarn experiments, expansion and contraction revealed new spatial opportunities. Placed on flat topography, the balloon’s center aligned with a yarn grid, creating a cloud-like form. Strings attached to it defined smooth paths connecting to the ground. When deflated, shifting strings generated a new landscape, inviting people to walk, sit, lie, and interact with the folly as structure.
Wahayi: Inspired by balloon inflation and deflation studies, the design shifts from a linear system to a central spherical void, preserved as the main exhibition and entrance. A pivoting path extends west to east, flanked by workshops and ending at the lake. Suspended studios echo floating forms, while a curving concrete shell recalls string grids. Warm wood interiors contrast the monolithic frame, guiding visitors through a dynamic spatial journey.
Tsawon Lokacin Aikin: Art Omi in Hudson Valley
Tsarin Aiki: Individual Work
Godiyar Hotuna: All Design & Illustration & Drawing & Physical Model by Daria Yang DU