Floral Album Tarin Kayan Sawa daga Xinyu Zheng

Zane Floral Album Tarin Kayan Sawa daga Xinyu Zheng mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Tufafi.

Baƙin ƘarfeTufafi· 2026

Floral Album Tarin Kayan Sawa

daga Xinyu Zheng

Abokin Ciniki: Tulip 'n room

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Tufafi

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #177958

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Floral Album Tarin Kayan Sawa

Floral Album tarin kayan sawa ne wanda hotunan iyali daga shekarun 1980 suka zaburar da shi. An yi tarin ne daga yadudduka da suka rage a ajiye (deadstock) waɗanda aka haɗa da dabarun sana'ar hannu da dama. An yi amfani da ɗinkin ado na hannu, saƙar croche, ɗora ƙyalli, saƙa da ɗinkin cross stitch a kan yadin karammiski (velvet) da kuma yadudduka masu haske da aka jera a saman juna. Gyale-gyalen croche da sassan da aka saƙa sun ƙunshi abubuwan sequin waɗanda ke kama haske yayin da mai sawa ke motsi. Kowace tufa an gina ta ita kaɗai, saboda haka babu wani yanki da aka maimaita. Dukkan sassan kayan sun dace da kowane girman jiki. Tarin ya haɗa aikin hannu mai cikakken bayani da sake amfani da kayayyakin da aka yi watsi da su.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Floral Album Tarin Kayan Sawa ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Floral Album Tarin Kayan Sawa ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Floral Album Tarin Kayan Sawa saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Girma da Fakitin: All the pieces are free size.
Kalmomin Alama: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Fasahar Samarwa: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Ƙalubalen Zane: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Bincike: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Wahayi: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Tsawon Lokacin Aikin: This project was initiated in April 2023 and completed in September 2024 in New York.
Tsarin Aiki: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Haƙƙoƙin Ƙirƙira: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Mambobin Ƙungiya: /
Godiyar Hotuna: Stefy Lin, 2024.