Zane Arboris Aiki na Farko: Otal daga Dimitris Potiropoulos mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Ƙirƙira ta Kwamfuta.
TagullaƘirƙira ta Kwamfuta· 2026
Arboris Aiki na Farko: Otal
Abokin Ciniki: Undisclosed
Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Ƙirƙira ta Kwamfuta
Mai Nasara da Aka Tabbatar
Tabbatar da Matsayin Kyauta na #180089Ƙirar
Game da Arboris Aiki na Farko: Otal
Rubutun Littafi: A kan tudun Zlatibor mai tsayi, tsakanin ƙananan tuddai masu lanƙwasa, dazuka, da faɗaɗɗun wurare, an ƙira gidan Otal na Arboris a matsayin cibiya cikin hanyar sadarwa mai yadudduka na dangantaka da haɗin gwiwar shimfidar ƙasa. Siffofin sa uku masu zagaye sun samo wahayi daga Kogon Stopica, inda aka tsara kwantacen dutsen laima na ƙasa cikin sifofin zagaye da suka faru ta dabi'a. Wannan geometry yana ba da damar buɗe wuraren kallo masu ci gaba a kowace hanya, yana kafa sabuwar tattaunawa tsakanin sifar da aka gina da shimfidar ƙasa da ke kewaye da ita.
Amincewa
Game da Kyautar A' Design Award ta Tagulla
Zanen Arboris Aiki na Farko: Otal ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Arboris Aiki na Farko: Otal ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Arboris Aiki na Farko: Otal yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.
Bayan Ƙirar
Kayan Manema Labarai
Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.
- Siffofi Na Musamman
- The building geometry allows for uniform, panoramic openings in all directions, redefining the relationships between architecture and landscape. The three ring shaped formations develop around a central outdoor core, creating a kind of protected hollow. The circular courtyards function as vertical light wells while simultaneously extending the landscape into the interior of the buildings.
- Girma da Fakitin
- The surrounding landscape is defined by a large water surface and extensive planting. The lake acts as the primary reference point, offering a calm, natural backdrop to the overall experience, while simultaneously contributing, together with the greenery, to a microclimatic regulation. The hard surfaces of the outdoor areas, composed of natural and recycled materials, allow for water infiltration, have a low energy footprint, long lifespan, and minimal maintenance requirements.
- Kalmomin Alama
- architecture, hospitality, hotel, Serbia, design
- Fasahar Samarwa
- The extensive wooded landscape of Zlatibor directly informed the materiality of the project. The timber louvers of the facade imply the rhythm of the surrounding forest while providing solar shading and enhancing the energy performance of the building envelope. Integrated with glazed surfaces, the shading elements reflect the environment, allowing the building volumes to visually transform and acquire an almost landscape quality.
- Ƙalubalen Zane
- The dialogue between ARBORIS Hotel and the natural landscape of Zlatibor emerges as a primary experiential element, defining the way the complex is conceptualised and takes form.
- Bincike
- The narrative is deeply embedded in a continuous process of hiding, revealing, and engaging between the user and nature. Within this interactive and creative approach, architecture functions as a mechanism of integration between modes of inhabitation determined by the landscape, movement patterns and views, constructing a coherent experience deeply connected to its natural surroundings.
- Wahayi
- On the elevated plateau of Zlatibor, among mildly sloping hills, forests, and open flat areas, the ARBORIS Hotel tourist complex is conceived as a node within a complex network of landscape conditions. The three circular volumes draw their inspiration from Stopica Cave, a system of underground limestone basins formed in natural circular geometries. The rationale of these concave forms served as an influence on the overall scheme geometry, distinct circular units organized around an internal courtyard, shaping a clear spatial character.
- Tsawon Lokacin Aikin
- Design 2025
Location Zlatibor, Serbia - Tsarin Aiki
- Τhe green roofs of the buildings, providing outdoor lounging areas and viewing points, contribute both to the environmental performance of the complex and to the perception of a continuity across the landscape and the built forms. Although distinct in presence, the three buildings are integrated into the plateau s ecosystem, interact with the landscape and emphasize the natural character of the terrain.
- Mambobin Ƙungiya
- Architectural Design Potiropoulos+Partners
3D Visualization Potiropoulos+Partners - Godiyar Hotuna
- Architectural Design Potiropoulos+Partners
3D Visualization Potiropoulos+Partners
Tallafi
Bincika Bayan Designers.org
Gano kayayyaki, ayyuka da damammaki daga abokan tallafin mu.
Ƙarin Abubuwan Bincike
Ƙirare Masu Alaƙa
Bincika ƙarin ƙirare masu lashe kyauta daga wannan rukunin, waɗanda aka zaɓa bisa cancanta.