GGO Biomorphic Aikin Farko: Kayan Ɗakin Shiga daga Yoko Komatsu and Hajime Tokura

Zane GGO Biomorphic Aikin Farko: Kayan Ɗakin Shiga daga Yoko Komatsu and Hajime Tokura mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Ƙirar Kayan Ɗaki.

ZinariyaKayan Ɗaki· 2026

GGO Biomorphic Aikin Farko: Kayan Ɗakin Shiga

daga Yoko Komatsu and Hajime Tokura

Abokin Ciniki: Grand Green Osaka JV Group

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Kayan Ɗaki

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Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

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Ƙirar

Game da GGO Biomorphic Aikin Farko: Kayan Ɗakin Shiga

Rubutun Littafi: Wanda ke a Grand Green Osaka, wannan benci mai tsawon mita 16 na siffar halitta an sassaka shi daga itacen oak na Japan. An yi amfani da fasahar sarrafa dijital ta zamani wajen haɗa sassa sama da 6,000 zuwa raka'o'i 29 na halitta. An ɓoye dukkan na'urorin ƙarfe na haɗawa cikin nasara ta hanyar tsarin haɗin gwiwa da aka ɓoye. A cikin wannan kayan aikin jama'a mai kama da sassaka, an haɗa ƙwarewar sana'a ta hannu ta gargajiya da ƙirar lissafi ta parametric. An ƙera shi don yin aiki a matsayin benci mai natsuwa da kuma matattarar shuka a cikin sararin ɗakin shiga.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen GGO Biomorphic Aikin Farko: Kayan Ɗakin Shiga ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen GGO Biomorphic Aikin Farko: Kayan Ɗakin Shiga ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen GGO Biomorphic Aikin Farko: Kayan Ɗakin Shiga yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Girma da Fakitin: Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Kalmomin Alama: Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Fasahar Samarwa: The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Ƙalubalen Zane: The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
Bincike: Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
Wahayi: Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Tsawon Lokacin Aikin: The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
Tsarin Aiki: Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Haƙƙoƙin Ƙirƙira: Copyrights belong to KOKUYO Co., Ltd., 2025.
Mambobin Ƙungiya: Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao
Godiyar Hotuna: Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.