2025 Kaohsiung XR Dreamland Zane-zanen Baje Koli daga Fundesign.tv

Zane 2025 Kaohsiung XR Dreamland Zane-zanen Baje Koli daga Fundesign.tv mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Taron Biki.

Baƙin ƘarfeTaron Biki· 2026

2025 Kaohsiung XR Dreamland Zane-zanen Baje Koli

daga Fundesign.tv

Abokin Ciniki: Kaohsiung film archive

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Taron Biki

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Ƙirar

Game da 2025 Kaohsiung XR Dreamland Zane-zanen Baje Koli

2025 Kaohsiung XR Dreamland wani zane-zanen baje koli ne da aka ƙirƙira don shirin fina-finai masu nutsar da mai kallo a Kaohsiung, Taiwan. Tsarin shimfiɗar ya mamaye kusan murabba'in mita 1,000 kuma yana ɗauke da rumfunan gwaninta 22 waɗanda girman kowannensu ya kai murabba'in mita 3 zuwa 12. Kowace rumfa tana fitar da abubuwan da ke cikin shirinta na zahiri-kama zuwa siffar zahiri, yayin da jigon "makomar gaba mai salon dā" da suke tarayya a kai ya haɗa rumfunan a matsayin zaurukan sinima daban-daban. Lanƙwasa masu sulɓi, acrylic mai madubi da allunan LED masu haske-ratsawa sun tsara ƙofar shiga mai walƙiya da rumfar tikiti irin ta dā. Hanyar tafiya tana jagorantar baƙi a hankali daga duniyar gaskiya zuwa duniyoyin zahiri-kama.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen 2025 Kaohsiung XR Dreamland Zane-zanen Baje Koli ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen 2025 Kaohsiung XR Dreamland Zane-zanen Baje Koli ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen 2025 Kaohsiung XR Dreamland Zane-zanen Baje Koli saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Kaohsiung’s remarkable journey from a heavy-industry port city to Asia’s XR innovation hub is the core inspiration behind XR DREAMLAND. Since 2017, when the Kaohsiung Film Festival launched Taiwan’s first VR program, the city has embraced immersive storytelling with bold vision and passion. At the Pier-2 Art Center, it established the permanent VR FILM LAB, which has grown into one of the largest XR immersive platforms in Asia, shaping Kaohsiung’s cultural identity around creative technology.
Girma da Fakitin: Within an approximately 1,000-square-meter space, the exhibition features 22 XR experience booths, ranging from 3 to 12 square meters. Each booth is independently designed by physically extending its specific virtual XR content into the real world. Unified under a central Future Retro theater framework, these varied spatial installations are cohesively presented as individual cinema halls.
Kalmomin Alama: XR, DREAMLAND, Film Festival, Kaohsiung, Pier 2 Art Zone, VR, MR, AR, fundesign
Fasahar Samarwa: The design team employs immersive narrative to bring the Crossborder Reincarnation concept to life. Utilizing a Future Retro aesthetic, the spatial execution contrasts a nostalgic exterior—such as the vintage ticket booth—with avant-garde, high-tech exhibition interiors. By juxtaposing these distinct temporal elements, the architecture functions as a dimensional portal. This curated pacing guides visitors from reality into the XR realm, establishing design as a language of the future.
Ƙalubalen Zane: The primary internal challenge was synthesizing diverse cultural perspectives into a unified Future Retro narrative. They addressed this through deep interviews, digital collaboration tools, and frequent meetings, ensuring local creative concepts were respected. Externally, technical hardware constraints were significant. They utilized 16-panel transparent LED arrays to create a ship bridge entrance. This achieved spatial permeability, allowing visitors to glimpse the XR realm while maintaining a high-tech aesthetic that balanced production limitations with immersive design.
Bincike: Our research profiled Pier2 visitors and XR enthusiasts to design a seamless transition between realities. They employed trend analysis, benchmarking Tesla’s unique coffee shop for its blend of futuristic aesthetics and functionality. By observing visitor flows and preferences, They identified that a future retro style effectively lowers technological barriers. Results proved this design language invites exploration, turning space into a communal interface. This directly contributed to record-breaking attendance, validating that intuitive design makes complex tech accessible.
Wahayi: Inspired by the concept of Future Vintage, the design reinterprets the romantic futurism of the 1950s to 1970s: streamlined curves, metallic gleam, and cosmic aspirations. From the glowing entrance to the dramatic ticket booth and screening area, nostalgia and avant-garde aesthetics intertwine. Grand light gates, retro sci-fi details, transparent LEDs, and mirrored acrylic create a theatrical atmosphere, while flowing pathways gradually blur the line between physical and virtual realms.
Tsawon Lokacin Aikin: The Kaohsiung film festival xr dreamland exhibition was held at Warehouse P3 of the Pier-2 Art Center in Kaohsiung, Taiwan, from October 10 to October 26, 2025.
Tsarin Aiki: To maximize physical presence, the design focused on creating a visually striking entrance and ticket booth. This strategic architectural attraction served as a high-conversion funnel, guiding visitors from curiosity to entry. As the primary touchpoint, the Future Retro facade’s captivating aesthetic drove foot traffic and directly translated visitor engagement into a record-breaking box office performance of over one million dollars, surpassing all previous festival records.
Mambobin Ƙungiya: GM: Carrie Chang
Project Director: SK Chen
3D Designer: Peijou Wu
Coordinator: Esther Chen