Cadence of the Spiral Aikin Farko: Shigarwar Motsi daga Yusuke Kamiyama

Zane Cadence of the Spiral Aikin Farko: Shigarwar Motsi daga Yusuke Kamiyama mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Fasaha.

AzurfaFasaha· 2026

Cadence of the Spiral Aikin Farko: Shigarwar Motsi

daga Yusuke Kamiyama

Abokin Ciniki: Spline Design Hub Inc.

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Fasaha

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Tabbatar da Matsayin Kyauta na #182460

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

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Ƙirar

Game da Cadence of the Spiral Aikin Farko: Shigarwar Motsi

Rubutun Littafi: Cadence of the Spiral yana binciken lokaci a matsayin wani abu mai sassauci, mai alaƙa, kuma mai rai. An tsara wani yanki na ƙarfen maɓuɓɓugar tsatsa-tsatsa zuwa wani siffa mai ci gaba da canzawa ta hannayen inji talatin. Hannayen suna motsi a cikin sautukan da ke da dabara, masu canza lokaci. Yayin da karkacewar take numfashi, take murɗawa, kuma take sake tsara kanta, babu lokuta biyu da suka taɓa zama iri ɗaya. An yi wahayi zuwa ga wannan aikin daga babbar maɓuɓɓugar agogon inji. Yana sake fassara ƙarfen da aka naɗe a matsayin tasoshin ƙarfin da aka adana da gudanar lokaci. Ba a maimaita motsin ba. Maimakon haka, ana bayyana canji ta hanyar bambancin da ake sarrafawa. Ba a auna lokaci ba, sai dai a ji shi.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Cadence of the Spiral Aikin Farko: Shigarwar Motsi ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Cadence of the Spiral Aikin Farko: Shigarwar Motsi ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Cadence of the Spiral Aikin Farko: Shigarwar Motsi ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Girma da Fakitin: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Kalmomin Alama: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Fasahar Samarwa: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Ƙalubalen Zane: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Bincike: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Wahayi: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Tsawon Lokacin Aikin: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Tsarin Aiki: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Haƙƙoƙin Ƙirƙira: Copyrights belong to Spline Design Hub Inc., 2025.
Mambobin Ƙungiya: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Godiyar Hotuna: IMAGE CREDITS: Daisuke Ohki