Zane Zig Stool daga Jules S. Jaffe mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Ƙirar Kayan Ɗaki.

Baƙin ƘarfeKayan Ɗaki· 2020

Zig Stool

daga Jules S. Jaffe

Abokin Ciniki: Jules S. Jaffe

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Kayan Ɗaki

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Launuka

Ƙirar

Game da Zig Stool

An tsara zane ta hanyar sha'awar nuna abubuwan musamman na itace a cikin mahallin kalubale na fasaha wanda ke buƙatar duka kyau da aiki. Zuwa Jules S. Jaffe, wannan shine ƙalubalen ƙirar kayan daki. Kalubale a nan shi ne samar da kwanciyar hankali da ƙarfi don ɗaukar nauyin haske da tashin hankali a cikin zane na ƙarshe. Sakamakon stool yana da ƙarfin misali amma kuma yana da jin daɗi da kwanciyar hankali wanda tsarin lissafi, tun daga Pythagoreans wanda mai zanen ya fito.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Zig Stool ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Zig Stool ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Zig Stool saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
Girma da Fakitin: 505 x 185 x 180
Kalmomin Alama: stool, chair, sitting device
Fasahar Samarwa: The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
Ƙalubalen Zane: The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
Bincike: As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
Wahayi: Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
Tsawon Lokacin Aikin: The project took 2 years to execute in a workshop in La Jolla, CA, USA.
Tsarin Aiki: Simply sit on it.
Haƙƙoƙin Ƙirƙira: None
Mambobin Ƙungiya: Jules S. Jaffe (only)
Godiyar Hotuna: Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.