Zane Haleiwa Kujera daga Melissa Mae Tan mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Ƙirar Kayan Ɗaki.

AzurfaKayan Ɗaki· 2020

Haleiwa Kujera

daga Melissa Mae Tan

Abokin Ciniki: Beyond Function

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Kayan Ɗaki

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #99707

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Haleiwa Kujera

Haleiwa suna saƙa da ɗimbin ɗumbin ci gaba cikin manyan matakai da kuma ɗaukar wani siliki. Kayan aiki na halitta suna ba da kai ga al'adun gargajiyar da ke cikin Filipinas, ana gyara su a yanzu. Haɗa shi, ko amfani dashi azaman sanarwa, ɗaukacin zane yana sa wannan kujera ya dace da salon daban. Kirkira daidaito tsakanin tsari da aiki, alheri da ƙarfi, gine-gine da ƙira, Haleiwa tana da daɗi kamar tana da kyau.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Haleiwa Kujera ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Haleiwa Kujera ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Haleiwa Kujera ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Legacy meets contemporary. Grace meets strength. Sweeping curves seamlessly merge with striking lines. Rattan, a pliant material commonly used in indigenous Philippine furniture, gets a modern upgrade when paired with a solid metal frame. This chair's form and weave pay tribute to the rich history of the material and the artisans that have crafted pieces from it, while breaking away from tradition just enough to create a statement.
Girma da Fakitin: 640mm width x 850mm depth x 830mm height
Kalmomin Alama: haleiwa, chair, rattan, woven, handmade, indigenous
Fasahar Samarwa: Rattan is a sustainable material commonly used for weaving due to its durability. A cantilever design would not have been practical, and thus metal framing was used to add stability. As a nod to the handwoven rattan, the metal was manually bent to shape.
Ƙalubalen Zane: Stability was a key concern. The width of the legs that connect the base to the seat posed a challenge. The design of a triangular base was the solution that balanced the structural and aesthetic. Internal support placement also posed a challenge since the design shows all of its skeletal composition. The supports had to be created and then strategically located in order to maximize stability, while being as inconspicuous as possible.
Bincike: The research focus for the Haleiwa was on the balance and stability based on its unconventional form. The optimum placements of supports and dimensions of elements were studied and tested throughout the prototyping period.
Wahayi: This piece was inspired by the concept of balance. The balance between strength and fluidity, modern and traditional, complexity and simplicity.
Tsawon Lokacin Aikin: The chair was conceptualized in August 2019 and prototype finished October 2019. Designed and manufactured in Manila, Philippines
Tsarin Aiki: The chair is wide enough for the user to sit comfortably in any position. Cushions are also provided for additional ease and comfort without distracting from the visual impact.
Mambobin Ƙungiya: Melissa Mae Tan
Godiyar Hotuna: All images: Photographer Berwin Coroza, 2020