ʻO Rope Ke Hoʻolālā ʻAna i Loko o ka Hale ʻAina Lānai na The Grid Architects he mea lanakila hanohano loa o ka 2020 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
HaoLoko Hale· 2020
Rope Ke Hoʻolālā ʻAna i Loko o ka Hale ʻAina Lānai
Mea Kūʻai: The Grid Architects
Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #100376Ka Hoʻolālā
E Pili Ana iā Rope Ke Hoʻolālā ʻAna i Loko o ka Hale ʻAina Lānai
He Rope kahi hale ʻaina lānai i hoʻolālāʻia ma ke ʻano he wahi hāmama ma luna o ka hale. Ua kapa ʻia ka papahana ma muli o ke kaula jute, he mea kūloko, kumukūʻai haʻahaʻa, a hoʻohana hou ʻia i mea e hana ai i nā malu ulana a me nā ʻano kaʻawale. ʻO nā malu i loaʻa ka manaʻo mai ke charpoy kuʻuna o India mai, a hoʻokaʻawale lākou i nā mokupuni noho kūʻokoʻa. He haʻahaʻa ka hoʻoili wela o ka jute, a ʻo ka jute i hoʻopulu ʻia e kōkua i ka hōʻoluʻolu ʻana i ka ea a puni. Ua hana ʻia ka papahele me ka lāʻau babool i hoʻohana hou ʻia, i kau ʻia ma luna o nā anuenue alumini i hiki ai i ka wai ke kahe i lalo. Hoʻomalu nā papa ʻāpana ʻāʻī i hoʻohana hou ʻia i ka ʻaoʻao hema komohana o ka hale.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Hao
Ua lanakila ka hoʻolālā Rope Ke Hoʻolālā ʻAna i Loko o ka Hale ʻAina Lānai i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Rope Ke Hoʻolālā ʻAna i Loko o ka Hale ʻAina Lānai he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Rope Ke Hoʻolālā ʻAna i Loko o ka Hale ʻAina Lānai no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- Jute rope which gives the cafe its name sees liberal usage owing to its eco-friendliness, this is a humble material which can take any form and transform a space, doesnot have thermal conductivity thus helps to maintain temperature, not absorbent and retains heat. Watered jute keeps the surrounding cool, easy handling, locally sourced and locally crafted - eco-friendly, sustainable, handled easily and cost effective
- Nā Ana a me ka Hoʻopili
- the south-west facade features corrugated sheet as a protective layer from harsh sunlight, while rhythmically installed planks help channelize wind currents, plants help to maintain the moisture in the air and keep the environment cool. The flooring is recycled babool wood sourced from the forest department for very low cost. The wood was not directly screwed on the floors so as to not damage the waterproofing layer for the offices below. Flooring modules with aluminium frames were laid such that water flows easily below it. The artistically designed sit-outs offer a versatile way to create compositions that are easily adapted to their own.
- Nā Lepili
- #architecture, #architects, #thegridarchitects, #retail, #indiandesign, #indianarchitect , #indiadesignworld, #ropecafe, #rooftop, #design, #rope, #shadow, #sciagraphy, #light, #yellow, #recreationaldesign, #hospitality, #cafedesign, #cafe, #openspaces, #modern, #contemporary, #black, #arrival, #art, #designsolutions, #archdaily, #ahmedabad, #wovencanopy, #recycle, #reuse, #sustainable
- ʻEnehana Hana
- the open layout design and the striking use of materials and simplicity of form emerged from reinforcing the purpose of the humancentric design, building by-laws precluded the possibility of any kind of permanent or semi-permanent structure. After much discussion the designers chose the traditional Indian charpoy as the inspiration for developing space modulating partitions and canopies that would define individual seating islands. The canopy was created with the help of jute ropes, looped around pipes with specific angles such that the part canopy created a shadow for the rest of the terrace.
- Pilikia Hoʻolālā
- the angles of the weaved canopy were such that the part canopy created a shadow for the rest of the terrace. While the craftsmen were tying the rope to the pipe it was easy to keep it straight at the narrow end but as the angle increased the length and weight of the rope increased so to keep it straight, they applied more pressure resulting in the pipe to bend. we realized this may damage the existing structure, so we let the rope be slightly loose. the sagging part created dramatic shape and shadows.
- Noiʻi
- constraints posed by time intensified the architects proclivity for earth-friendly materials and processes, inclusion of local labour and local craft, material palette is dominated by recycled materials - jute rope, gum, arabic wood, corrugated sheets and ms, aluminium and natural stone and eco-friendly paint, jute eco-friendly, sustainable, handled easily, cost effective, does not have thermal conductivity, can take any form and transform a space. watered jute keeps the surrounding cool, south west facade- recycled corrugated sheet used to protect from harsh sunlight.
- Hoʻoulu Manaʻo
- strictures on time and budget directed the team to look at quick aesthetic solutions. with their inclination towards natural materials they explored and examined a close-to-nature palette which could be recycled, reused, cost effective, locally sourced and crafted and finalised upon jute rope a sustainable and eco-friendly material. designers chose the traditional Indian charpoy as the inspiration for developing space-modulating partitions and canopies that would define individual seating islands
- Ka Lōʻihi o ka Papahana
- the project started on 13-09-2018
ended on 28-10-2018
approximate;y 45 days
location - Gandhinagar Ahmedabad Gujarat India - Kaʻina Hana
- upon entering the terrace, one is welcomed by happy colours and the blueness of the sky, the entrance wall is adorned by a wall mural depicting the logo of the cafe which has now become a selfie zone. Jute rope, recycled wooden table tops and flooring add to the ambience and help with the acoustics. An enclosed space with ac has been incorporated as a refuge from the city s harsh weather. The secluded terrace lends an experiential quality retaining scale within this volume. This then leads you to a pink spiral staircase which guides you to the upper terrace, a smoking zone, and a private zone for special celebrations.
- Nā Lālā Hui
- mr. Snehal Suthar
ms. Bhadri Suthar - Nā Kuleana Kiʻi
- #1 Photographix India, 2018
#2 Photographix India, 2018
#3 Photographix India, 2018
#4 Photographix India, 2018
#5 Photographix India, 2018
video credits tHE gRID Architects
Kākoʻo ʻIa
ʻImi ma ʻō aku o Designers.org
E ʻimi i nā huahana, nā lawelawe a me nā manawa mai kā mākou mau hoa hoʻolaha.
Hou Aku e ʻImi Ai
Nā Hoʻolālā Pili
E ʻimi i nā hoʻolālā lanakila hou mai ka māhele like, i koho ʻia ma ka waiwai.
