Yinyun Hana Nui: Hoʻonohonoho Kiʻi Lepo Palolo na Fabcraft Design Lab

ʻO Yinyun Hana Nui: Hoʻonohonoho Kiʻi Lepo Palolo na Fabcraft Design Lab he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Paʻi ʻEkolu Ana a me Huahana Paʻi ʻEkolu Ana.

KeleawePaʻi ʻEkolu Ana· 2020

Yinyun Hana Nui: Hoʻonohonoho Kiʻi Lepo Palolo

na Fabcraft Design Lab

Mea Kūʻai: Fabcraft Design Lab

Mea Lanakila A' Design Award Keleawe ma ka Māhele Paʻi ʻEkolu Ana

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #101663

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Yinyun Hana Nui: Hoʻonohonoho Kiʻi Lepo Palolo

Kikokikona Puke: ʻO Yinyun kahi hoʻonohonoho kiʻi lepo palolo i hana ʻia mai nā ʻāpana kūʻokoʻa he 85 i paʻi ʻia ma ke ʻano 3D. Ua hoʻohana ʻia nā algorithm hoʻolālā hoʻohua e unuhi i ka ʻikepili uila a e hōʻike i ka ʻikepili ma kēlā me kēia ʻāpana, e hana pū ana i kahi hopena hoʻololi mālie. Ua hana ʻia nā ʻāpana ma o ka paʻi 3D lepo palolo, me ka hoʻohana ʻana i kahi hui o ka porcelain keʻokeʻo a me ka lehu lanahu i hoʻihoʻi ʻia mai kahi hale mana uila. ʻO ke kaʻina hana paʻi kekahi e hana ai i kahi kiʻi ʻili kikoʻī ma kēlā me kēia ʻāpana. ʻAʻohe mau ʻāpana ʻelua i like. Ua hoʻonoho mau ʻia ka hoʻonohonoho ma kahi keʻena hōʻikeʻike ma Taipei, Taiwan.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Yinyun Hana Nui: Hoʻonohonoho Kiʻi Lepo Palolo i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Yinyun Hana Nui: Hoʻonohonoho Kiʻi Lepo Palolo he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Yinyun Hana Nui: Hoʻonohonoho Kiʻi Lepo Palolo i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Nā Ana a me ka Hoʻopili: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Nā Lepili: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
ʻEnehana Hana: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Pilikia Hoʻolālā: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Noiʻi: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Hoʻoulu Manaʻo: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Ka Lōʻihi o ka Papahana: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Kaʻina Hana: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Nā Lālā Hui: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Nā Kuleana Kiʻi: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab