Bathed in Sunshine Ka Hoʻolālā ʻO Loko No Ka Hale Noho na Chien Ting Chen

ʻO Bathed in Sunshine Ka Hoʻolālā ʻO Loko No Ka Hale Noho na Chien Ting Chen he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2022

Bathed in Sunshine Ka Hoʻolālā ʻO Loko No Ka Hale Noho

na Chien Ting Chen

Mea Kūʻai: Dsen

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

10,375

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #106738

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Bathed in Sunshine Ka Hoʻolālā ʻO Loko No Ka Hale Noho

Ua kapa ʻia ʻo Bathed in Sunshine he hale noho ma Taiwan, a he hoʻolālā ʻo loko kēia. Ua hoʻoneʻe ʻia nā paia a me nā laina anuu i koe ʻole, i hiki ke hōʻea ka mālamalama lā i kēlā me kēia wahi o ka hale. Hōʻiliʻili nā puka aniani mai ka papahele a i ke kaupaku ma nā wahi māka ʻāina i ka mālamalama nui, a hele pono ka nānā ʻana mai ka ʻīpuka komo a hiki i ka lumi kuke, ka lumi noho, a me ka lumi haʻawina me ka ʻole o ka keʻakeʻa. Hāʻawi nā ʻili lāʻau a me ka pōhaku i ke kilohana kūlohelohe, i hoʻonohonoho ʻia ma o ke kaʻina a me ke kala. Ua hoʻololi ʻia nā kihi ʻoi me ke aniani piko ʻole a pio i nā kihi poepoe ma ka pākaukau inu, ka lumi haʻawina, ka lumi ʻauʻau, a me ka ʻīpuka komo o ke alahaka, e hoʻonui ana i ka palekana a me ke ākea no ka noho kaʻa kīʻaha.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Bathed in Sunshine Ka Hoʻolālā ʻO Loko No Ka Hale Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Bathed in Sunshine Ka Hoʻolālā ʻO Loko No Ka Hale Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Bathed in Sunshine Ka Hoʻolālā ʻO Loko No Ka Hale Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Let the dialogue between "light" and "grain" produce inadvertently, is the most important design core of the living space; we open the pattern and visual field, the life space becomes the best stage of light, woodiness, and stone material, and the simple and natural tone sprays and spreads freely at home.
Nā Ana a me ka Hoʻopili: It emphasizes in the harmonious aesthetic feeling of natural texture and light, and tries to eliminate the visual burden from the frame line structure, to maximize the vision extension through the design of curved glass, reduce the use of frame and handle on the French window of public area and the storage design, and apply the geometric proportion coordination and balance, to converge the vision to the most simple appearance.
Nā Lepili: Interior, Design, House, Residence
ʻEnehana Hana: In order to let the sunlight move freely in life, we remove the excess wall and frame lines, so that each section of life can enjoy the sunshine, and enjoy the scenery outside the window. We use a large number of wood and stone material to present the natural texture; through the order and color division, the use of texture is richer and more varied. In addition, because of the elderly care demand, there is the beautiful virtual and practical curve turning of wood and glass at the corner of the bar, study, and corridor entry, instead of sharp ridge; the arc design is also used to the washing space, to bring more wide field of vision, and create more space for the use of wheelchair.
Pilikia Hoʻolālā: In the study and bathroom, we use two arc glass as the boundary; how to break through the limitation of craft, reduce the visual burden with frameless way, and comply with the calculated arc angle and the safety in the use, is the most difficult challenge in this case.
Noiʻi: It removes the excess metope frame and space, so that the sunshine can move freely in the life; the wood, stone and other texture brings the rich and varied appearance through the order and color division. At the corner of bar counter, study, bathroom, and corridor entrance, the arc turning replaces the sharp edge line, to bring the winder visual field, and create more space for the use of wheelchair.
Hoʻoulu Manaʻo: Our idea is to retain the most beautiful light for the living space, and let the grain and material freely fill and diffuse at home, to interweave the breath of life as if bathed in the nature with the sunshine overflowing in the room; the arc craft is applied on the frameless glass, to wipe off the edges and corners of the space with the gentle line segment, and bring safer use for the elderly on the functional surface.
Ka Lōʻihi o ka Papahana: The project started and finished in 2019 in Taiwan.
Kaʻina Hana: The advantage of this residential pattern is that the proportion of daylighting surface is quite large, so the public domain windows use floor-to-ceiling windows to collect abundant daylight, step into the room from the entrance, all the way to the kitchen, living room and study, the line of sight is smooth and unimpeded, and the light and shadow from dark to bright enrich the visual experience, but also widen and deepen the spatial scale.