ʻO Evd Ka Hoʻolālā Kūloko o ke Keʻena Hana na Yang Bing and Hao Liyun he mea lanakila hanohano loa o ka 2021 A' Design Award Gula ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
GulaLoko Hale· 2021
Evd Ka Hoʻolālā Kūloko o ke Keʻena Hana
Mea Kūʻai: EVD Design
Mea Lanakila A' Design Award Gula ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #112174Ka Hoʻolālā
E Pili Ana iā Evd Ka Hoʻolālā Kūloko o ke Keʻena Hana
He wahi kūloko ʻo EVD no ke keʻena hana a me ka hōʻikeʻike aia ma Shanghai, Kina. He 300 mika huinahā ka nui o ia wahi. Ua hoʻokumu ʻia ke ʻano o ka lumi e nā ʻōlelo hoʻolālā kahiko, a hoʻohana ʻia nā mea hoʻolālā hale kahiko me nā ʻano hana hou e hoʻohui i ka manaʻo o ka mau loa. Ua hui pū ʻia kahi wahi ʻano U me kekahi ʻaoʻao lōʻihi hoʻokahi a me ʻelima mau puka aniani nui, no laila komo mai ka mālamalama kūlohelohe a laha wale me ke kūʻokoʻa. Hoʻohui ʻia nā ʻano pōpō e hoʻonui i ka nani o loko. Hoʻomaka ka hoʻolālā ma ka hoʻoponopono ʻana i nā palena i hana ʻia e nā paipu pale ahi a me nā ala ea o ka mīkini hoʻomaʻalili. Hoʻohana ka hapa nui o nā paia i nā pena kiʻi i hana ʻia me ka pauka pūpū a me nā kēpau kūlohelohe.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Gula
Ua lanakila ka hoʻolālā Evd Ka Hoʻolālā Kūloko o ke Keʻena Hana i ka A' Design Award Gula, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā pae mua, kupaianaha a kūʻokoʻa. He mau hana hou loa, ʻike maka a nani hoʻolaʻa nā lanakila Gula e hōʻike ana i ka ʻuhane akamai, ka naʻauao a me ka mākau o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Evd Ka Hoʻolālā Kūloko o ke Keʻena Hana he mea hoʻokumu i hoʻomaikaʻi nui ʻia, e hoʻokumu ana i nā ʻano hou, he nui, e hāʻawi ana i ka waiwai ʻaʻole i ʻike ʻia ma mua. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Gula he papahana kupaianaha, mahalo ʻia e hāʻawi i ka pōmaikaʻi nui a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hoʻāla ka hoʻolālā Evd Ka Hoʻolālā Kūloko o ke Keʻena Hana i nā manaʻo makemake ikaika, hoʻāla i ka ʻiʻini, hoʻoulu i ka hana noʻeau a hoʻopūliki iā mākou.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
- Nā Ana a me ka Hoʻopili
- Type: office and exhibition area
Area: 300 sqm - Nā Lepili
- Evd, office, workplace, classical aesthetics, Classical spatial languages
- ʻEnehana Hana
- The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
- Pilikia Hoʻolālā
- Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
- Noiʻi
- Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
- Hoʻoulu Manaʻo
- The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
- Ka Lōʻihi o ka Papahana
- April 2019-September 2019, Shanghai
- Kaʻina Hana
- The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
- Nā Lālā Hui
- Design team: Yang Bing, Hao Liyun
- Nā Kuleana Kiʻi
- Super Yingxiang
Kākoʻo ʻIa
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Hou Aku e ʻImi Ai
Nā Hoʻolālā Pili
E ʻimi i nā hoʻolālā lanakila hou mai ka māhele like, i koho ʻia ma ka waiwai.
