Pass and Future Kiʻi Pena na Ni Zhishuai

ʻO Pass and Future Kiʻi Pena na Ni Zhishuai he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.

HaoHana Noʻeau· 2022

Pass and Future Kiʻi Pena

na Ni Zhishuai

Mea Kūʻai: Miracle Art Studio

Mea Lanakila A' Design Award Hao ma ka Māhele Hana Noʻeau

10,781

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #113402

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Pass and Future Kiʻi Pena

He kiʻi pena ʻo Pass and Future e wehewehe hou ana i ke Aliʻi Monike, kahi kiʻi kahiko o ka moʻokalaleo Kina. Hana ʻia ka hana ma ke akriliko ma luna o ke kanevasa a me ka pena huahopu, e hoʻohui ana i nā ʻano hana grafiti a me ka pena akriliko. Hoʻohui ʻia nā kiʻi kuʻuna me nā mea saipapaʻu a me nā mea moʻolelo ʻepekema e hoʻokumu ai i kahi hopena maka hou. He 420 mm ka laula, 20 mm ke ʻoi hohonu, a he 596 mm ke kiʻekiʻe o ke kiʻi pena. ʻO ke kumu, ʻo ia ke koi ʻana i ka noʻonoʻo e pili ana i ka pilina ma waena o ka naʻauao noʻeau a me ke kaiāulu kanaka, a me ka hoʻokokoke ʻana i ka moʻomeheu kuʻuna i nā mea nānā ʻōpiopio.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Pass and Future Kiʻi Pena i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Pass and Future Kiʻi Pena he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Pass and Future Kiʻi Pena no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This work combines graffiti and acrylic painting techniques to give a new interpretation of the Monkey King, a classical Chinese literary image. It combines the sci-fi elements of cyberpunk to explore the relationship between the development of artificial intelligence and human society. From the picture, the traditional and futuristic themes are combined to form a new visual effect.
Nā Ana a me ka Hoʻopili: Width 420mm x Depth 20mm x Height 596mm
Nā Lepili: Painting, Graffiti, Acrylic painting, Art
ʻEnehana Hana: Acrylic on canvas, spray paint
Pilikia Hoʻolālā: The goal of this research is to try to combine figurative illustration images with abstract patterns. At the same time, I also want to let traditional culture be carried by the carrier of future technology. By learning the techniques of using acrylic and searching for paintings of acrylic art method, to explore such a painting style.
Noiʻi: As a traditional cultural image of China, the Monkey King has a long history, but there is rarely an image with a sense of the times at present. The purpose of applying such a traditional image is to allow more young people to accept and inherit China's excellent traditional culture.
Hoʻoulu Manaʻo: The rapid development of human science and technology has made things that were considered sci-fi in childhood gradually become a reality today. However, these highly rational technologies make me feel that although this world is convenient, the relationship between people is becoming more and more indifferent. If one day we are familiar with it Friends are replaced by artificial intelligence, what will the world look like?
Ka Lōʻihi o ka Papahana: The project started in April 2020 in China, and was exhibited in Shanghai in November 2020.
Kaʻina Hana: To convey the connotation that the author wants to express to the audience through the works.Each audience has different feelings through the works, which leads to different thinking. Let the work itself become a medium for the author to communicate with the audience.
Nā Kuleana Kiʻi: Ni Zhishuai