Spiderweb Ka ʻike Kiʻi na Mateus Morgan de Aguiar

ʻO Spiderweb Ka ʻike Kiʻi na Mateus Morgan de Aguiar he mea lanakila hanohano loa o ka 2021 A' Design Award Gula ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi Lolouila, Hōʻike ʻEkolu Ana, Hōʻailona a me Hōʻike Kiʻi.

GulaKiʻi Lolouila· 2021

Spiderweb Ka ʻike Kiʻi

na Mateus Morgan de Aguiar

Mea Kūʻai: Morgan Studio

Mea Lanakila A' Design Award Gula ma ka Māhele Kiʻi Lolouila

75,334

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #115823

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Spiderweb Ka ʻike Kiʻi

ʻO ka manaʻo nui, ʻo ia ka hana ʻana i kahi mea e lawe ai i ka manaʻo āpau i ka huahana, me ka hoʻohana ʻana i nā mea liʻiliʻi e like me ka hiki a me ka hoʻokumu ʻana i kahi pilina me ka lehulehu i manaʻo ʻia i ka manawa like. ʻO ka mea pūnaewele pū kekahi e pili ana i ka paʻa o ka kāmaʻa a me kona ʻano hihiu, e lawe mai ana i kahi kanaka i ka huahana. Hoʻouna pū ka manaʻo i ka ʻenehana, aia ma ka ʻano kāmaʻa a me kahi ʻōlelo pohihihi e hele mai me ka ʻenekene pūnaewele spider e hōʻike pū ana i ka paʻa kāmaʻa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Gula

Ua lanakila ka hoʻolālā Spiderweb Ka ʻike Kiʻi i ka A' Design Award Gula, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā pae mua, kupaianaha a kūʻokoʻa. He mau hana hou loa, ʻike maka a nani hoʻolaʻa nā lanakila Gula e hōʻike ana i ka ʻuhane akamai, ka naʻauao a me ka mākau o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Spiderweb Ka ʻike Kiʻi he mea hoʻokumu i hoʻomaikaʻi nui ʻia, e hoʻokumu ana i nā ʻano hou, he nui, e hāʻawi ana i ka waiwai ʻaʻole i ʻike ʻia ma mua. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Gula he papahana kupaianaha, mahalo ʻia e hāʻawi i ka pōmaikaʻi nui a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hoʻāla ka hoʻolālā Spiderweb Ka ʻike Kiʻi i nā manaʻo makemake ikaika, hoʻāla i ka ʻiʻini, hoʻoulu i ka hana noʻeau a hoʻopūliki iā mākou.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The idea is to bring the product a personification of wildness, connecting the shoe direct to the customers life style. The mood also transmits technology, present on the shoe essence and a pinch of a mystical language that comes with the spider web element that also represents the shoesole grip. Everything made in 3D without scans.
Nā Ana a me ka Hoʻopili: Width 5000px x Height 3488px 300dpi
Nā Lepili: 3d boot, 3d shoe, shoe render, boot render, 3d product, 3d render, shoe modelling, product visualization
ʻEnehana Hana: The boot was modeled using photographs as a reference and hard surface 3D modeling techniques. For modeling we used the software 3ds Max. All the textures made using leather texture and some photoshop brushes. Vray was used for rendering. Nothing on the scene was scanned or photoscaned.
Pilikia Hoʻolālā: The hardest part was about the concept and thinking about something something never seen before on a so enormous market. Another complicated part was getting some real nice balance between something beautiful and real at same time.
Noiʻi: The work was executed based mainly on the previous experiences in other works for several companies of the sector footwear, in very natural way. Feedback was collected mainly online about the quality of the 3D itself as well as the sensations that people had in the first contact with the art.
Hoʻoulu Manaʻo: The inspiration of the mood and elements comes from the nature, connecting the image directly with the customers life style. To show the grip of the shoe, the spiderweb, that is a wild element also was used.
Ka Lōʻihi o ka Papahana: I started doing the piece on setember 21 and it took about 1 month, ending on October 21.
Kaʻina Hana: The key visual was used on online and offline media such product folder, box, and video. The main focus was to attract attention to the product, bringing in the composition elements that generate the necessary sensations without the need for explanatory texts. Competitors often use images without a strong visual appeal, so the product, especially in the online market, goes unnoticed. The excess of texts works negatively in most of these cases, underestimating the viewer's intellect.
Nā Lālā Hui: Mateus Morgan
Caique Fernando