Kyotology Hōkele na Naoto Doi and Koji Yamanaka

ʻO Kyotology Hōkele na Naoto Doi and Koji Yamanaka he mea lanakila hanohano loa o ka 2021 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hoʻokipa, Leʻaleʻa, Huakaʻi a me Mākaʻikaʻi.

HaoHoʻokipa· 2021

Kyotology Hōkele

na Naoto Doi and Koji Yamanaka

Mea Kūʻai: Cosmos More

Mea Lanakila A' Design Award Hao ma ka Māhele Hoʻokipa

19,426

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #118089

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Kyotology Hōkele

Ka puke "In Praise of Shadows" (E Hoʻonani i nā Aka) na Junichiro Tanizaki a me ka noiʻi e pili ana i nā hana a nā malihini ma Kyoto i kūkulu i ka kahua o kēia papahana. Ua ʻōlelo ʻo Tanizaki ua hoʻonani nā Kepanī i nā aka ma luna aʻe o ka mālamalama ma nā manawa o ka moʻolelo a pau a alakaʻi ia i ka hoʻolālā hale kuʻuna Kepanī e like me ka ulana ʻana o ka waho a me ka loko. Ua hōʻike ka noiʻi he nui loa ka makemake o nā malihini ma Kyoto i kona moʻomeheu a me ka moʻolelo, no laila ua hoʻonoho ka puʻali i "Hoʻonanea a Makaʻalaʻala" i manaʻo a hana i hōkele kahi e paipai ʻia ai nā malihini e aʻo, e ʻike a e hoʻomaha.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Kyotology Hōkele i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Kyotology Hōkele he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Kyotology Hōkele no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: As the number of hotel rooms had increased 400% since 2012, majorities are focused more on its capacity which did not have the local culture nor history. Therefore we felt an urge to create a place where tourists can experience traditional accommodation of Kyoto. The hotel initiates the local economic system by attracting curious users. Intertwining exterior and interior especially placing the inner garden in every room makes this brand established.
Nā Ana a me ka Hoʻopili: Width 24053mm x Depth 10090mm
Site area: 295.04sqm
Total floor space: 485.11sqm
Nā Lepili: Kyoto, garden, Shadow, architecture, heritage, local economy
ʻEnehana Hana: Vertical lines that are created by standing seam roofs emphasize changing shadows during the day. High edge roof end is a symbol of Sukiyazukuri style which is a common style for a building exclusively used for a Japanese tea ceremony. We surveyed neighbors’ window levels to avoid direct eye contact between users and neighbors. By adjusting window placements from neighbors, users could feel secure and private while staying in the guest rooms.
Pilikia Hoʻolālā: It is common for a government to set landscape regulations to maintain the historical view of the city, and Kyoto city also sets various and precise rules mainly for color of facade, height of the building and usage of the balcony/rooftop. Since Kyoto city added more rules to the regulations while we were planning, we were forced to be flexible and let go of some of the design details. Architectural regulation made it really difficult to place the inner garden; we had to think carefully about balancing between architectural structure, livable environment for plants in the garden, and comfort of the guests.
Noiʻi: First of all, our R&D team researched about the history of the site and Kyoto. The area around the site was located close to Zen temple, and it has been left out from urban development of the city. Volume of travellers in Kyoto, popular tourist attractions, travelling patterns and many more elements were researched. Secondly, we visited the site and the former owner. The owner used to live at the site with his family for generations in a classical Japanese style house with a well-maintained garden. As soon as we saw the original site, we knew that we had to keep the original vibes. Thirdly, the team visited local shops and restaurants to look for potential partnerships. Since the hotel is not equipped with a kitchen, it was necessary to provide food for hotel guests from nearby restaurants.
Hoʻoulu Manaʻo: In the book "In Praise of Shadows" Tanizaki stated the conceptual base of Japanese architectural beauty lies in shadows. Japanese cherish shadows over the history of its cultural development, and we translate its concept into modern architecture. By intertwining exterior and interior, and garden and concrete, shadows began to shine. Another inspiration was the local people who were eager to reactivate the local economy by collaborating with the local designers, constructors, and shop owners.
Ka Lōʻihi o ka Papahana: The project started in January 2018 in Kyoto and Tokyo Japan.
Kaʻina Hana: As soon as the guest arrive, they go through Noren at the gate to enter the site before entering the building which used to mean that they are entring a commercial space. The guests walk through lobby/lounge area, then they proceed to the front desk to check in. After check in, they proceed to the corridor lightened up with dim traditional lantern shaped room signs.
Nā Lālā Hui: Naoto Doi - Cosmos More
Koji Yamanaka - GENETO Architects Office
Mitsuteru Nakada - GENETO Architects Office
Asako Yamashita - GENETO Architects Office
Nā Kuleana Kiʻi: Cosmos More