Lele i ka ʻike
Embrace Hana Nui: Kiʻi Pā Kūikawā i ka Wahi na Supernova Art Embassy

ʻO Embrace Hana Nui: Kiʻi Pā Kūikawā i ka Wahi na Supernova Art Embassy he mea lanakila hanohano loa o ka 2021 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.


HaoHana Noʻeau· 2021

Embrace Hana Nui: Kiʻi Pā Kūikawā i ka Wahi

na Supernova Art Embassy

Mea Kūʻai: Memorandum Project

Mea Lanakila A' Design Award Hao ma ka Māhele Hana Noʻeau

14,896

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #121349

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Embrace Hana Nui: Kiʻi Pā Kūikawā i ka Wahi

Kikokikona Puke: ʻO Embrace kahi kiʻi pā i pena ʻia ma ka ʻaoʻao hale ma Sterlitamak, he mea kūikawā i ka wahi. He 27 mika ke kiʻekiʻe o ke kiʻi pā a me 15 mika ka laulā, me kahi ʻili i pena ʻia he 405 mika hui. Ua hoʻohana ʻia nā penakala hale a me nā rola pena, a ua hoʻohana pū ʻia nā mīkini hoʻokiʻekiʻe hale i ka pena ʻana ma ke kiʻekiʻe. ʻEkolu pule i lawe ʻia no kēia hana noʻeau. Hoʻomanaʻo ka moʻolelo i hōʻike ʻia i kekahi koa o ka pūʻali koa wāwae 170 o Sterlitamak, ka mea i haʻalele aku i ke kaua me kahi uaki ʻāpoʻe kālā, a hoʻohiki ʻo ia e hoʻi mai me ia. Ua loaʻa kona mau iwi a me ka uaki i ka makahiki 2015, a ua lawe ʻia mai i ka home i kāna wahine.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Embrace Hana Nui: Kiʻi Pā Kūikawā i ka Wahi i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Embrace Hana Nui: Kiʻi Pā Kūikawā i ka Wahi he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Embrace Hana Nui: Kiʻi Pā Kūikawā i ka Wahi no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Nā Ana a me ka Hoʻopili
Height 27 m, width 15 m, total artistic painting square 405 sq.m
Nā Lepili
mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
ʻEnehana Hana
Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Pilikia Hoʻolālā
4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Noiʻi
Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
Hoʻoulu Manaʻo
The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Ka Lōʻihi o ka Papahana
The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
Kaʻina Hana
Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Nā Palapala Kuleana
Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Nā Lālā Hui
Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Nā Kuleana Kiʻi
Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.

Kākoʻo ʻIa

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