Overture of Daylight Hana Mua Loa: Hoʻolālā ʻO Loko Hale Noho na Yi Xiang Lin

ʻO Overture of Daylight Hana Mua Loa: Hoʻolālā ʻO Loko Hale Noho na Yi Xiang Lin he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2022

Overture of Daylight Hana Mua Loa: Hoʻolālā ʻO Loko Hale Noho

na Yi Xiang Lin

Mea Kūʻai: WJ Interior Design

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

8,334

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #127776

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Overture of Daylight Hana Mua Loa: Hoʻolālā ʻO Loko Hale Noho

Kikokikona Puke: ʻO Overture of Daylight he hoʻolālā ʻo loko hale noho no kahi hale i hoʻohana ʻia e hoʻokipa i nā malihini. Ua wehe ʻia nā ʻano kaʻawale maopopo ma waena o ka lumi kuke, ka lumi ʻaina a me ka lumi noho, a ʻo nā mea hoʻonani a me nā lako hale ke hōʻike nei i kēlā me kēia wahi ma kahi o ia mea. ʻO ka hoʻolālā ākea e hōʻike ai i loko hale i ʻoi aku ka ākea a maʻalahi hoʻi ke hoʻohana no nā ʻaha ʻohana. Lawe mai nā puka aniani ʻo Palani nui i ka mālamalama o ke ao, me nā pale hoʻoponopono ʻia a me nā ʻōpaʻa Iapana. ʻO ka pena keʻokeʻo, ka lāʻau, ka veneer a me ka pōhaku e hāʻawi ai i kahi ʻano mālie a maikaʻi. Hoʻokipa ka lumi hōʻike i nā malihini me ke tatami a me kahi papahele lāʻau haʻahaʻa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Overture of Daylight Hana Mua Loa: Hoʻolālā ʻO Loko Hale Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Overture of Daylight Hana Mua Loa: Hoʻolālā ʻO Loko Hale Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Overture of Daylight Hana Mua Loa: Hoʻolālā ʻO Loko Hale Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: As the client has the need to host, the designer has broken through the stereotypes of space concepts. The clear partitions between the kitchen, dining room, living room, and so on are diminished by the conceptual implication of utilizing ornaments which have made the inner space visually broaden, and also the client can use the house for banquet much more conveniently. Moreover, the designer has established large French casements to introduce more sunlight into the mansion which is consistent with the light-adjusting blinds and Japanese lattices in the room, making the interior space brighter.
Nā Ana a me ka Hoʻopili: The designer has planned the flow line of the main bedroom carefully such as the blank aisle behind the bedside which has not only widened the leisure space but also preserved the space for storage, redefining its scenery of it. Furthermore, the designer has combined different materials together to build the door of the closet so as to correspond with the elegant space concept. The partition of the bedside is chosen in simple color so as to make it consistent with the closet behind it. Also, the design of the cladding of the circular arc camber with the bedside lamp chandelier has given the bedroom a comfortable and relaxed mood.
Nā Lepili: Japanese leisure mood, brighter, modern, elegant
ʻEnehana Hana: The designer has established the space an elegant ambiance with simple colors such as white paints, wood material, and stones. By utilizing natural materials such as wooden makings, veneers, and slates, the space has been outlined in a gentle image. Moreover, the lightweight wooden TV wall matches with the wooden lattices have established a refined Japanese style. In addition to the bright atmosphere, the designer has put a dressing mirror at the entrance, which is a bold skill that fulfills the transparency and brightness of visual perception.
Pilikia Hoʻolālā: In order to meet the expectation of hosting guests, the graphic design has eliminated the traditional definition of domain and has brought in a little concept of the clubhouse. Therefore, instead of a distinct partition, the designer has used ornaments, furniture, and other functional items to imply the domains so that the graphic design of the interior needs to plan the flow line of the public domain carefully which has been discussed with the client over and over. Finally, they have come to a decision that has also made the house a place for hosting and resting.
Noiʻi: The client has the need for hosting and expects the space can accommodate as many people as it can, and also wishes all the guests can share the same mood when staying in it. Therefore, the designer prime consideration is the space concept of the public domain. Considering the sufficient sunlight of the house, the designer has demolished the partition between each area so that the natural lights can supply the whole space. The designer has used the materials in low Chroma to decorate the house such as simple materials which have expressed the quiet and elegant features.
Hoʻoulu Manaʻo: The daylight appears in slow-motion with the shadow of the cloudy, and the window eaves are like the horizon in the distance. The warm sunlight has accompanied by the overture of the space filtering into the room, making the living room bright and quiet. WJ Design has taken advantage of the natural sunlight, supplemented with a bold texture that utilizes geometric lines, sunlight, and plain materials to break through the stereotypes of leisure space, creating a Japanese relaxing style.
Ka Lōʻihi o ka Papahana: The project finished in June 2020 in Kaohsiung.
Kaʻina Hana: The designer has taken the client expectation of hosting into consideration. Hence, by using wooden materials, simple building stones, and a gentle color tone, the designer has established a Japanese leisure style that is bright and clear. In order to fulfill the purpose of entertaining guests, the designer has built a reception room which is in Japanese style and the painted wall has created an image of mountain and river. By utilizing Tatami as the foundation of the room, supplemented with a low wood platform under the windowsill.
Nā Lālā Hui: YI-XIANG LIN, CAI-JIE LIN
Nā Kuleana Kiʻi: WJ Interior Design