ʻO The Depth of Space Ka Hana Nui: Ka Hoʻolālā ʻO Loko no ka Hale Noho na Hung-Yu Chen and Yi-Chia Kao he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
KeleaweLoko Hale· 2022
The Depth of Space Ka Hana Nui: Ka Hoʻolālā ʻO Loko no ka Hale Noho
na Hung-Yu Chen and Yi-Chia Kao
Mea Kūʻai: Yu [ i ] Design Studio
Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #128148Ka Hoʻolālā
E Pili Ana iā The Depth of Space Ka Hana Nui: Ka Hoʻolālā ʻO Loko no ka Hale Noho
Kikokikona Puke: ʻO The Depth of Space he hoʻolālā ʻo loko no ka hale noho i hoʻopau ʻia ma Taiwan i ka makahiki 2020. Hoʻonohonoho ʻia ka papahana e like me ke ʻano hele T kahi i pani i nā lumi haiki a māhele ʻē mua. ʻO ka mālamalama lā mai nā puka aniani ʻākau a me ke komohana e hana ana i nā papa mālie o ka mālamalama a me ke aka ma waena o nā wahi. Hoʻolōʻihi ʻia nā aniani nānā ma nā paia me ke kihi i mea e hoʻomālie i nā kaola a me nā kia ma waena o ka lumi noho a me ka lumi ʻaina, a e hoʻoākea i ka nānā ʻana. Wehe ʻia ke kaupaku a hoʻopau ʻia me nā pena kūikawā, a hoʻohālikelike nā papa pōhaku i lawe ʻia mai nā ʻāina ʻē me ke ʻano onionio o ke kaupaku.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Keleawe
Ua lanakila ka hoʻolālā The Depth of Space Ka Hana Nui: Ka Hoʻolālā ʻO Loko no ka Hale Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā The Depth of Space Ka Hana Nui: Ka Hoʻolālā ʻO Loko no ka Hale Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā The Depth of Space Ka Hana Nui: Ka Hoʻolālā ʻO Loko no ka Hale Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- Reorganized the spatial using a T shape as the base of the traffic flow design while combing the progressive light and shadow effects of the north and west natural sunlight. To solve the original roundabout, narrow and multi-compartment situation, consider the demands of the changes of family members and lifestyles and replaced the actual private area with the master bedroom and the secondary bedroom; while hoping to offer the client and pets an expansive and free traffic flow. Based on those needs, the designer designed the ceiling with an open-ended design.
- Nā Ana a me ka Hoʻopili
- The design area is around 40 ping, including the public area: the living room, the dining room, the resting area, and the private area: the master bedroom, the secondary bedroom, the bathing space, and the study.
- Nā Lepili
- depth and tense of life, transparent, expanded the visual space, light and shadow gradients
- ʻEnehana Hana
- Italy-imported special paints, wooden-grained tiles, mirrors, hardware, Italy-imported unique stone slates, titanium-plated steel slates, Chang Hong glasses
- Pilikia Hoʻolālā
- How to present a more penetrating visual effect in the space is the designer priority consideration and challenge in the space modification. Due to the changes of the client family members, the original three-bedroom cubicle has become a historical memory that needs to be adjusted slightly. Considering the activity habits of the three members of the family members and the two pets, in this case, the designer arranged the original roundabout and separated space as a freer, more penetrating line of life.
- Noiʻi
- Using a T-shape as the base of public traffic flow planning, the sunlight from both sides of the windows has outlined a progressive space depth. At the same time, the designer applied the open-ended designing method and the cohesion ratio of different materials that combine light and shadow gradients to achieve a smooth and free traffic flow while connecting emotions from both sides. To improve the original low ceiling that caused visual pressure, the designer opened up the ceiling area using oil painting-like special paints as the main body of the structure.
- Hoʻoulu Manaʻo
- We hope to give new depth meanings to the space, reorganize the plane and redefine the lighting axis; deliver a rich visual sense through different light and shadow angles, and expand the vitality within the low-limit area. Using clear sight to measure space ratio, Yui Designs has reorganized the original spatial that was multi-cut; special paints with changing layers are used at the ceiling dome to create an oil painting visual depth of field. With the sunlight from the north and west, layers of emotions are built up to deliver a free traffic flow and vitality.
- Ka Lōʻihi o ka Papahana
- The project finished in 2020 in Taiwan.
- Kaʻina Hana
- The designer applied a T-shaped spatial design to rearrange the original roundabout and divided space, also used the lightings of the west and north windows to solve dim issues. With the strong and weak layers of lights and shadows, scenery emotions for each area are created. The study that is located at the depths of the structure is not only being used as a scenic view; the designer used both sides of the sliding door that allow users to function more conveniently and freely.
- Nā Lālā Hui
- Hung-Yu Chen, Yi-Chia Kao
- Nā Kuleana Kiʻi
- Yu [ i ] Design Studio
Kākoʻo ʻIa
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