Before the Midnight Hour Kiʻi Hale na Martin Reznik

ʻO Before the Midnight Hour Kiʻi Hale na Martin Reznik he mea lanakila hanohano loa o ka 2022 A' Design Award Gula ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi, Kiʻi Paʻi a me Kamaʻilio ʻIke.

GulaKiʻi· 2022

Before the Midnight Hour Kiʻi Hale

na Martin Reznik

Mea Kūʻai: Martin Reznik Illustration

Mea Lanakila A' Design Award Gula ma ka Māhele Kiʻi

61,031

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #133798

Aʻo Hou Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Before the Midnight Hour Kiʻi Hale

He ʻano kiʻi kiʻi ʻeleʻele a keʻokeʻo i kauoha ʻia e Marc Krusin a e hōʻike ana i kāna mau hoʻolālā hale kaulana loa no Knoll a me Desalto. Hoʻoulu ʻia e ka comics a me ka hale kiʻiʻoniʻoni noir, ua uhaʻi ka papahana i nā kuʻina o nā kiʻi mea hale ma o ka lawe ʻana i ka moʻolelo i nā hiʻohiʻona, ka hoʻohana ʻana i ka hiʻohiʻona hoʻonui a me ka nani noir. ʻO ka nele o ke kanaka a me nā mea i hoʻopuehu ʻia e hoʻohui i kahi mea pohihihi a me ka kānalua i ka moʻolelo, ʻoiai ke hōʻike ʻia nei ka protagonist i kahi hopena haʻalulu. Ua kaha kiʻi ʻia nā kiʻi a pau ma Adobe Photoshop me ka hoʻohana ʻana i ka papa Wacom Cintiq.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Gula

Ua lanakila ka hoʻolālā Before the Midnight Hour Kiʻi Hale i ka A' Design Award Gula, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā pae mua, kupaianaha a kūʻokoʻa. He mau hana hou loa, ʻike maka a nani hoʻolaʻa nā lanakila Gula e hōʻike ana i ka ʻuhane akamai, ka naʻauao a me ka mākau o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Before the Midnight Hour Kiʻi Hale he mea hoʻokumu i hoʻomaikaʻi nui ʻia, e hoʻokumu ana i nā ʻano hou, he nui, e hāʻawi ana i ka waiwai ʻaʻole i ʻike ʻia ma mua. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Gula he papahana kupaianaha, mahalo ʻia e hāʻawi i ka pōmaikaʻi nui a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hoʻāla ka hoʻolālā Before the Midnight Hour Kiʻi Hale i nā manaʻo makemake ikaika, hoʻāla i ka ʻiʻini, hoʻoulu i ka hana noʻeau a hoʻopūliki iā mākou.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Series of illustrations commissioned by furniture designer Marc Krusin for the promotional use on his website and across social media channels and featuring his most prominent furniture designs for Knoll and Desalto. The project brakes the conventions of furniture illustration by bringing a narrative to the scenes, use of exaggerated perspective and a film noir aesthetic. The lack of human presence and scattered objects add an element of mystery. The protagonist is revealed in a surprise ending.
Nā Ana a me ka Hoʻopili: The illustrations are mainly used in a digital format online, but they were also designed with art print production in mind. Each square illustration is drawn on 500 x 500mm digital canvas.
The images were later combined into a large poster (500 x 700mm) and reproduced as a limited edition screen print.
Nā Lepili: illustration, furniture, noir, interior design, comics, digital art, black and white, drawing, architecture, graphic
ʻEnehana Hana: Each illustration was drawn in pen and ink on paper and once approved by the client it was redrawn digitally. I used Adobe Illustrator to construct the furniture and interiors accurately and then Photoshop to apply textures, light and draw other elements using Wacom Cintiq tablet. The images were rendered using black only to recreate film noir aesthetic.
Pilikia Hoʻolālā: The client was against any human figures in the scenes, but I could not help but wonder about the smoker missing from the first image. I felt his appearance was important to the story. His silhouette is revealed in an extended version of the 4th illustration, but only as a scroll option on an Instagram post. The client thought this elegant solution added an element of surprise and closure to the story.
Each image needed different cropping options to accommodate various socials and screen formats.
Noiʻi: Since I have never illustrated furniture before I made few initial sketches based on an online research of the industry trends, but these came out quite dull and rigid. I was not happy with them at all. I decided to go a different way and focus on style and narrative instead. From then on the research involved my favourite films and comic books, noir genre in particular. I decided to recreate its moody atmosphere in my series. The style also justifies unconventional framing of the furniture.
Hoʻoulu Manaʻo: Main inspiration for this project were comics and classic French noir cinema. The concept for the first illustration came from a reference photo I received from the client, which was a shot of a chair from behind and at a very low angle. It was very unusual and sparked loads of questions in my head. Being a fan of detective stories I decided to follow this approach in the layout of the image. The first image was crucial in setting the tone for the whole series.
Ka Lōʻihi o ka Papahana: The series was posted on Instagram and LinkedIn starting February 2021 and these posts are still active. The hero banners on client's website run for about 8 months, nearly till the end of 2021.
Kaʻina Hana: The project was initially published on Instagram. The illustrations were posted in regular time intervals. Main interaction with the story comes with the 4th and last illustration, where the viewer is encouraged to reveal the protagonist (the smoker) by using the scroll option on the Instagram post.
The unusual approach to furniture illustration in these series ensures the greater impact on the viewers arousing their curiosity about the products and the brand itself.
Nā Kuleana Kiʻi: All illustrations: Martin Reznik, 2021