ZENustas Hale ʻOki Lauoho na Lorena Antea Caruana and Naoki Watanabe

ʻO ZENustas Hale ʻOki Lauoho na Lorena Antea Caruana and Naoki Watanabe he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2022

ZENustas Hale ʻOki Lauoho

na Lorena Antea Caruana and Naoki Watanabe

Mea Kūʻai: Hi-Dea

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

11,815

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #135762

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā ZENustas Hale ʻOki Lauoho

He hale ʻoki lauoho ʻo ZENustas e kū ana ma Yaizu, kokoke i ka Mauna Fuji ma Iapana. Hoʻokumu ʻia ka lumi loko he 80 mika huinahā ma muli o nā mea ʻelua nui: ʻo ka MDF me ka hoʻopau lāʻau ʻeleʻele a me ka uhipapa keʻokeʻo hiki ke holoi, i hoʻokaʻawale ʻia e kahi laina ākea ma ke kiʻekiʻe o ka pākaukau. Kōkua kekahi paia hōʻike i mālamalama ʻia mai hope, hana ʻia me ka polycarbonate, i ka hoʻokau ʻana i nā mea kanu a hāʻawi i kahi wehewehe hou o nā alo pepa laiki Iapana kuʻuna. Hoʻomaikaʻi pū kēia paia hōʻike i ke kahe ʻana o ka mālamalama i nā mea kūʻai e noho ana i mua o nā aniani. Hoʻonui nā paia pōkole kūʻokoʻa me nā aniani i kau pololei ʻia i ka nui o nā wahi hana, a alakaʻi pū i ke kahe ʻana o nā mea kūʻai.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā ZENustas Hale ʻOki Lauoho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā ZENustas Hale ʻOki Lauoho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā ZENustas Hale ʻOki Lauoho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Yaizu is a town located near Mount Fuji in Japan. Here, the Natural space bursts into the Urban one defining highly suggestive scenarios.
Similarly, in the Beauty Salon, Nature is brought into the space adding an iconic touch to the interiors. The backlit feature wall in polycarbonate is a contemporary interpretation of the traditional Japanese rice paper facades. This wall, hosting dimensional plants, is also a tribute to the traditional Japanese painting, setting a bold contrast between figure and background.
Nā Ana a me ka Hoʻopili: The 80 square meters space is mainly composed of two materials: MDF with a Dark wood finish and White washable wallpaper. By defining a horizontal datum line at the height of the tables, the two materials separate the lower from the upper part of the space providing a simple and yet contemporary look to the space. LED lighting used in the store increases efficiency while reducing the costs and the dimmable lights support the energy saving by interacting with the daylight.
Nā Lepili: japanese interiors, japalian, zen-ustas, hi-dea interiors, italian japanese design, japan hair salon
ʻEnehana Hana: The Hair Salon reflects a simple shape language where only a few materials compose the space, reaching the essential.
The construction processes have been reduced by using standardized furniture and repeated simple bespoke elements in natural materials, while the whole renovation has been completed in 7 days.
The wall with backlit panels in polycarbonate is the standing out feature element, the more expressive and articulated-looking component of the space. This wall aims to improve the light exposure to the customers seating in front of the mirror, defining intense and diffuse lighting.
Pilikia Hoʻolālā: A challenging point of the design has been understanding the relevant architectural elements of the Japanese tradition and translate them into a space with a contemporary look and feel and destination. The use of the oriented short walls, coming from the Western tradition produces an almost circular customer flow, enriching the straightness of accesses and paths so typical of the Japanese tradition.
The rounded shape language, loaned by the Italian architectural tradition completes the straight-looking pure geometry typical of this area, while providing surprising touchpoints.
Noiʻi: Taking inspiration from the natural surroundings, the Beauty Salon aims to reflect on the idea of Threshold in Japanese traditional architecture: the space between outside and inside. In this space, the Threshold is represented by the feature wall with nature and backlit panels. Located to be visible from the outside, the feature wall invites the customers to access the space to explore the new functions.
Hoʻoulu Manaʻo: ZENustas is a word composed by merging the Japanese word Zen, meaning All, with the Latin word Venustas, the word for Beauty. The space aims to celebrate various forms of beauty, from natural one, proper of the Zen culture, to human-made beauty. The inclusive space is composed of Eastern and Western Architectural languages that synergistically shape the Interiors shaping a vibrant but still relaxing space.
Ka Lōʻihi o ka Papahana: ZENustas Hair Salon is located in Yaizu, in proximity of the Mount Fuji in Japan. The project lasted 3 months while the construction phase lasted 7 days only.
Kaʻina Hana: ZENustas Hair Salon's design reflects a holistic approach.
The wooden floor texture orientation creates a more intuitive customer journey that, from the entrance, naturally leads the customer towards the hairdressing stations. The wooden floor texture settles with the direction of the freestanding vertical short walls, providing consistency to the space. These oriented walls serve different purposes: increasing the number of available stations by optimizing the use of the space and, through the oriented mirrors, providing customers with the possibility of looking at the surrounding without leaving their chairs.
Nā Lālā Hui: Lead Architect: Lorena Antea Caruana
Lead Local Architect: Naoki Watanabe
Nā Kuleana Kiʻi: Image #No.1: Lorena Antea Caruana (Photo credits / Architect)
Image #No.2: Lorena Antea Caruana (Photo credits / Architect)
Image #No.3: Lorena Antea Caruana (Photo credits / Architect)
Image #No.4: Lorena Antea Caruana (Photo credits / Architect)
Image #No.4: Lorena Antea Caruana (Photo credits / Architect)