Lele i ka ʻike
Interpreting Discomfort Ka Moʻo Kiʻi Pena ʻAila na YunFen Wang

ʻO Interpreting Discomfort Ka Moʻo Kiʻi Pena ʻAila na YunFen Wang he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.


KeleaweHana Noʻeau· 2022

Interpreting Discomfort Ka Moʻo Kiʻi Pena ʻAila

na YunFen Wang

Mea Kūʻai: YunFen Wang

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hana Noʻeau

14,188

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #136563

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Interpreting Discomfort Ka Moʻo Kiʻi Pena ʻAila

He moʻo kiʻi pena ʻaila ʻo Interpreting Discomfort e pili ana i ke ākea pilikino a me ke kaomi pilikanaka. Hōʻike nā hana i nā lima a me nā maka i loko o nā ʻano hiʻohiʻona i hoʻonohonoho ʻia e hana hou ai i nā manawa maʻamau o ka noʻonoʻo ʻoluʻolu ʻole. Hiki i nā hana mālama ke hoʻokokoke aku i nā kānaka i kekahi i kekahi, akā ʻo ka nui loa o ka manaʻo naʻe, hiki nō hoʻi ke hoʻāla i ke ʻano ʻoluʻolu ʻole. Hoʻohui nā kiʻi pena i ʻelua ʻano hana. ʻO ka hana pena kūʻokoʻa ʻole ke kūkulu ʻana i kahi kumu ʻeleʻele a keʻokeʻo, a laila hoʻoheʻe ʻia me ke kala ma luna. ʻO ka hana pena kūpono ke kāpili pololei ʻana i ke kala hui ma luna pono o ka ʻili. Hana ʻia kēia moʻo me ka pena ʻaila ma luna o ke kanevasa a me ka papa lāʻau, a hōʻike ʻia hoʻi ma nā hale kiʻi ma ke ʻano he kūlana hoʻomaka no ke kūkākūkā.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Interpreting Discomfort Ka Moʻo Kiʻi Pena ʻAila i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Interpreting Discomfort Ka Moʻo Kiʻi Pena ʻAila he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Interpreting Discomfort Ka Moʻo Kiʻi Pena ʻAila i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
Nā Ana a me ka Hoʻopili
24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
Nā Lepili
hands, eyes, oil painting, art, surrealism
ʻEnehana Hana
She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas
Pilikia Hoʻolālā
Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
Noiʻi
The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
Hoʻoulu Manaʻo
The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
Ka Lōʻihi o ka Papahana
The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
Kaʻina Hana
It will be displayed in a gallery, and these paintings can be a tool for conversation.

Kākoʻo ʻIa

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