Lele i ka ʻike
Sekonj Garden Māla Lehulehu na Eskandarpour, Saeidizade and Sherafati

ʻO Sekonj Garden Māla Lehulehu na Eskandarpour, Saeidizade and Sherafati he mea lanakila hanohano loa o ka 2023 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Nānā ʻĀina a me Māla.


HaoHoʻolālā Nānā ʻĀina· 2023

Sekonj Garden Māla Lehulehu

na Eskandarpour, Saeidizade and Sherafati

Mea Kūʻai: Point Architecture Group

Mea Lanakila A' Design Award Hao ma ka Māhele Hoʻolālā Nānā ʻĀina

12,363

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #143747

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Sekonj Garden Māla Lehulehu

He wahi kaona lehulehu ʻo Māla Sekonj i hana ʻia ma kahi ʻāpana liʻiliʻi i koe o nā māla i hoʻopili mua ʻia. Hahai ka hoʻonohonoho ʻana i ke kūlana o nā kumulāʻau kahiko, a ua mālama ʻia nā kumulāʻau a pau. Hoʻohana ʻia ka pōhaku ʻulaʻula ma ka papahele, nā noho, a me nā paia. He kaʻa nui ʻeono mika ka laulā e lawe ana i kahi ala wai lāʻiki a alakaʻi ana i kahi wahi waena poepoe me kahi kumulāʻau i kau ʻia i loko o kahi kīʻaha wai. Hoʻokipa nā noho i nā lōʻihi a me nā kiʻekiʻe like ʻole i nā mea kipa o nā makahiki āpau. Ua hana lima ʻia nā noho a me ka mālamalama ma ka hale hana o ka papahana.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Sekonj Garden Māla Lehulehu i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Sekonj Garden Māla Lehulehu he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Sekonj Garden Māla Lehulehu no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
In the past,there was interconnected gardens in project location,which large proportion of them has been disappeared because of constructing a roadway.Design site is a small portion of a remaining garden,in which its main axes and its old trees have remained yet.Design desire was to create a suitable place for social interactions and to maximize the quality of urban life in every moment of daily use.all the parts,made in the project workshop with hand-made techniques to make the project unique.
Nā Ana a me ka Hoʻopili
The main axis width 6m with the middle water path width.05m lead to a central circular space with 5m radius and a tree in the middle of the water basin. The central space is 80cm lower to define privacy. Difference in height has been solved with two platforms of 40cm height for sitting and 6 steps of 15cm height for easy access. Seats varying in length from 3m along the main paths to 12m length around the children's playground area. The children's playground is a contemporary design derived from the old domes, consisting of 7 soft continuous domes with different heights from 40cm to 80cm.
Nā Lepili
urban design, landscape design, park design, urban spaces, brick facades, brick design, city furniture
ʻEnehana Hana
The type of material used in this project is contextual. Red brick has been used the most and in various and creative ways starts from the floor comes on the seats and goes up the wall and forms a coherent and integrated design with the possibility of creative uses. This project including seating and lighting, are completely made in the project workshop with hand-made techniques and appropriate to the location and nature of the project, and no ready-made samples have been purchased which helps to make the project special.
Pilikia Hoʻolālā
One of the challenges in this design was the presence of old trees left over from the previous garden. All the trees have been preserved in the new design. Also, lack of irrigation conditions and the provision of water resources to revive the garden and preserve and maintain the trees and new vegetation that have been planted is another. Among the other design challenges, presence of a government employer were the restrictions on the use of special materials and costs. That is why we tried to create a creative and diverse design from local materials at the lowest cost.
Noiʻi
Design methods in this intervention based on using Jan Gehl approach from the survey of small urban areas. His research methods based on understanding the primary quality of urban places and feeding this information into architecture is what this project try to practice and improve through implementation. This method is designed to perform actual surveys of public space by human senses mostly through the eyes of the surveyor. This method has been deployed to improve the conditions of public spaces by transforming observations into design.
Hoʻoulu Manaʻo
Reviving the small remaining portion of lost garden was the goal of design and existing trees are the strong point of this space that inspires the path of thinking. Though the space layout and proposed new structure is completely based on the location of the trees. The new look at this piece of land left behind as an urban space and the point of presence prompted the designers to design various spaces for user interaction. Diverse spaces with linear and communal seating in different dimensions and even different heights for all ages to provide a contextual platform for increasing social interactions.
Ka Lōʻihi o ka Papahana
The project started in january 2019 in Iran,Shiraz city and finished in september 2019.
Kaʻina Hana
Considering the needs of space users is what has made this project achieve good results. Adhering to design standards, its diverse spaces and functions, along with good landscaping, has created an interactive space. Also, the use of familiar shapes such as old domes and native materials has helped to connect people more with the project. Increasing the level of green space, renewable local materials, using recycled materials and reducing project implementation costs through on-site construction techniques have led to a sustainable project.
Nā Lālā Hui
Designer:Sedigheh Eskandarpoor, Mahsa Saeedi zadeh, Parisa Sherafati
project manager: Hamidreza Esmaeli
Employer: Shiraz Municipality
Nā Kuleana Kiʻi
All the CREDIT and COPYRIGHT for is images belong to Sedigheh Eskandarpoor, Mahsa Saeedi zadeh, Parisa Sherafati
Video Credits: Ava Keshavars, Fitness Trainer

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