Zijin Art Museum Hoʻolālā Loko na The Design Code Co.,Ltd

ʻO Zijin Art Museum Hoʻolālā Loko na The Design Code Co.,Ltd he mea lanakila hanohano loa o ka 2023 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KalaLoko Hale· 2023

Zijin Art Museum Hoʻolālā Loko

na The Design Code Co.,Ltd

Mea Kūʻai: The Design Code CO.,LTD

Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale

14,557

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #148068

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Zijin Art Museum Hoʻolālā Loko

ʻO Zijin Art Museum kahi hoʻolālā loko no ka hale hōʻikeʻike kiʻi a me ke kikowaena kūʻai ʻelua papahele e uhi ana i 1,200 mika kuea. ʻO ke kumuhana ʻo ka Papa a me ka Noʻeau, e pili ana i ka manaʻo o ka hoʻolālā palena ʻole. Aia ma ka papahele mua ka lumi hoʻokipa mua, ka pākaukau hoʻokipa, ka lumi kumu hoʻohālike a me ka hōʻikeʻike hana noʻeau. Aia ma ka papahele ʻelua kahi wahi wikiō hōʻailona, kahi wahi pākaukau one, kahi pā wai a me kahi wahi kūkākūkā. Hoʻohui kekahi alapiʻi kūpololei i nā papahele ʻelua, a hoʻopili nā ala kaʻa pōʻai i nā wahi. Ua hui pū ʻia ka ʻili lāʻau, ka pōhaku, ka pena kūikawā a me ka metala ma nā wahi a pau.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Zijin Art Museum Hoʻolālā Loko i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Zijin Art Museum Hoʻolālā Loko he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Zijin Art Museum Hoʻolālā Loko e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This design themed in “Order · Art” infuses the design concept of “Unbounded Design”, highlights the quiet and calm exterior in the form of interspersing, stacking, turning, priority level, order and other modern architecture design techniques, and creates a spatial aesthetic art gallery with modern, narrative, guiding and local poetic features.
Nā Ana a me ka Hoʻopili: The building covers an area of 1,200m2 and is composed of two floors, the first floor is front hall, reception desk, model room and craft show, and the second floor is brand video display area, sand table area, water bar area and negotiation area.
Nā Lepili: Art Gallery, Modern, Sample Rooms, Sales Center, Aesthetics, Architecture, Interior Design
ʻEnehana Hana: The project is made of wood veneer, stone, special paint and metal and makes a breakthrough in regrouping and combining different materials.
Pilikia Hoʻolālā: In the prior-stage design consideration, how to plan a reasonable layout of three sample rooms and arrange the basic functions in line with the marketing needs on only 1,200 m2 construction site; the slope terrain limits cause poor lighting condition on the first floor, and the landscape on the interface of the building and parking lot is weakly functioning; in addition, the staggered form of building blocks results in cramped interior depth, which is believed to make the design work even more difficult. With the design logic and the moving line direction clarified, the first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area.
Noiʻi: As part of the execution strategy of Zijin Art Gallery, the focus on details and daily use of functions is a sort of design attitude that caters to the vested needs and rational persistence. For space experimentation, we make a trade-off between people, architecture and the site area, and exploit appropriate aesthetic ideas to express and cross the venue limits, until the aesthetic characteristics suited to local conditions are shaped.
Hoʻoulu Manaʻo: We try to think about the essence of architecture directed at problem solving, and expect to unleash the most brilliant charm of the city in space. Visitor would be attracted by art and gradually become a part of the space, rather than as a distant onlooker.
Ka Lōʻihi o ka Papahana: This project started the design stage in 2021 and was put into operation and open to the public in 2022.
Kaʻina Hana: With the design logic and the moving line direction clarified, the entrance space is designed with vertical staircase that makes two floors associated. The first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area. All features available on the second floor are independent but associated, the flowing plan layout integrates sight, light, shadow, breath, rhythm and atmosphere, which in turn shapes a poetic and "homogeneous" ordered aesthetic of the space.
Nā Lālā Hui: Xie Fang, Hu Anqi, Zhu Wenjun, Xia Jinbo, Pan Zaojin, Zhang Lingjie