Waiting for the Wave in Metaverse Nā Hana Noʻeau Kikohoʻe na Midori Yamazaki

ʻO Waiting for the Wave in Metaverse Nā Hana Noʻeau Kikohoʻe na Midori Yamazaki he mea lanakila hanohano loa o ka 2024 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hana Noʻeau Kikohoʻe.

KeleaweHana Noʻeau Kikohoʻe· 2024

Waiting for the Wave in Metaverse Nā Hana Noʻeau Kikohoʻe

na Midori Yamazaki

Mea Kūʻai: Out of Blue

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hana Noʻeau Kikohoʻe

59,618

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #154231

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Waiting for the Wave in Metaverse Nā Hana Noʻeau Kikohoʻe

ʻO kēia hana noʻeau he hoʻonānā ʻana i ka hiʻohiʻona pokole o ka nalu ma kona ʻano hemolele no ka heʻe nalu, he mea nani a ʻoluʻolu i ka ʻike a hāʻawi pū i ka huikau ʻoluʻolu i ka poʻe nānā i ka manawa like. Ua hana ʻia ma o ka hana hoʻokele noʻeau ma waena o ka mea kikohoʻe a me ka mea kino, ke hui ana i ka ʻoiaʻiʻo a me ka ʻoiaʻiʻo kikohoʻe ma ka hui hana pū ʻana me EPFL. Hoʻāʻo ia e hana i kekahi ʻike ma loko o ke kaiaola a hōʻoia hou i ka ikaika nāwaliwali o nā mana noʻonoʻo o ke kanaka e koho maikaʻi nei i nā ʻike nani e hana ai i kekahi wā maikaʻi aʻe e hiki mai ana. E mau mau ana ka manaʻo o ka noho ʻana o ke kanaka me ka ʻano ʻole e loli, ʻoiai ma ka wā e hiki mai ana kahi e haunaele ai ka ʻoiaʻiʻo.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Waiting for the Wave in Metaverse Nā Hana Noʻeau Kikohoʻe i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Waiting for the Wave in Metaverse Nā Hana Noʻeau Kikohoʻe he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Waiting for the Wave in Metaverse Nā Hana Noʻeau Kikohoʻe i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This artwork is a visualisation of the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever, through a creative process that mixes reality and virtual reality. It attempts to generate an experience in nature and reaffirms the supple strength of human cognitive abilities that select actively beautiful experiences to create a better future, and a sense of human existence that will remain unchanged forever, even in a future where reality is in chaos.
Nā Ana a me ka Hoʻopili: Video: Width 1920px X Height 1080px Static image: Width 460mm X Height 305mm
Nā Lepili: wave, nature, science, visualization, digitalart, digitalfabrication
ʻEnehana Hana: The artwork was created through a playful creative process, between digital and physical, 2D and 3D, mixing reality and virtual reality. The hand-drawn intuitive sketches of waves and the simulation of ‘good waves’ suitable for surfing using ocean physics were combined to create the shape using stone powder in collaboration with EPFL (Swiss Federal Institute of Technology in Lausanne). The three-views that merged the two methods were used to create the hand-formed shapes. Surprisingly the aesthetic curves from the skilled hand-drawn sketches were very close to the simulation. And the sculptures were 3D scanned, output onto transparent materials, and photographed in the actual sea to create the digital artwork.
Pilikia Hoʻolālā: The creative challenge in this research was to design an interaction that generates an awareness of what could reaffirm the supple strength of human cognitive abilities that actively select beautiful experiences to create a better future and a sense of human existence that will remain unchanged forever in the chaotic era. To this end, we attempted to create the artwork through a playful creative process between digital and physical, 2D and 3D, mixing reality and virtual reality.
Noiʻi: The research question for this artwork is what design can help to make you connected to nature in order to live better in the chaotic era of reality and intended to express the momentary shape of a wave in perfect shape for surfing, which retains its aesthetics forever. It was created by mixing reality and virtual reality in collaboration with Swiss Federal Institute of Technology in Lausanne. It generates the experience in nature and reaffirms the supple strength of human cognitive abilities.
Hoʻoulu Manaʻo: Modern technology makes it easy to replicate visual representations that are indistinguishable from reality these days. The metaverse has become one of the spaces in which we humans exist, and the definition of existence is being distorted. However, we live in ever-changing times and continue to evolve, recognising and accepting flexibly the chaos of reality and the unreality that technology brings. The artwork attempts to express eternal existence with positive hope.
Ka Lōʻihi o ka Papahana: This artwork was launched worldwide, in May 2023. It will be open to the public for a minimum of five years. (It will be extended wherever possible).
Kaʻina Hana: These are videos and static images as digital artworks.
Nā Kuleana Kiʻi: Image #1: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #2: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #3: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #4: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.
Image #5: Image Midori Yamazaki, Waiting for the Wave in Metaverse, 2023.