Lele i ka ʻike
Spidique Noho na Siqi Yang

ʻO Spidique Noho na Siqi Yang he mea lanakila hanohano loa o ka 2024 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.


KalaLako Hale· 2024

Spidique Noho

na Siqi Yang

Mea Kūʻai: Yang Siqi

Mea Lanakila A' Design Award Kala ma ka Māhele Lako Hale

2,798,152

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #154548

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Spidique Noho

ʻO Spidique he noho i hana ʻia me ka ʻenehana paʻi 3D ma ka PLA. Ua hana ʻia ke kino o Spidique me ka polokalamu Ameba, e hoʻohana ana i ka algorithm BESO no ka hoʻomaikaʻi ʻana i ka topolokia. Ua hoʻomaʻemaʻe hou ʻia ke kino i helu ʻia e ka hui hoʻolālā i mea e hoʻomaikaʻi ai i ka ergonomics a me ka nani o ka ʻike maka. Ua hui pū ʻia nā laina lahilahi i loko o ke kūkulu ʻana i mea e kaulike ai ka helehelena a me ka mechanics. Ua paʻi ʻia nā prototypes a hoʻāʻo ʻia no ka ʻoluʻolu a me ka paʻa. ʻO ka manaʻo ma hope o Spidique, ʻo ia ka hoʻokō ʻana i ka hana e pono ai me ka liʻiliʻi loa o ka plastic a me ka hōʻemi ʻana i ka ʻōpala waiwai.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Spidique Noho i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Spidique Noho he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Spidique Noho e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
Spidique is a chair manufactured using 3D printing technology. Its shape calculation and design were carried out using the Ameba software, which employs the BESO (Bidirectional Evolutionary Structural Optimization) algorithm for topological optimization. A primary challenge during the design process was how to further optimize and redesign the computed chair shape.
Nā Ana a me ka Hoʻopili
808.56mm x 750.57mm x 799.28mm
Nā Lepili
Parametric design, future, 3D printing,Innovative furniture,industrial design, modern design
ʻEnehana Hana
3D printing technology, PLA
Pilikia Hoʻolālā
Navigating the optimization of the chair's computed shape posed a significant challenge. Historically, chair designs have been a blend of functionality and aesthetics, crafted over centuries of human experience. Today's social perspective demands both comfort and sustainability. While computation provides precise design outcomes, it sometimes lacks the human touch essential for ergonomics and visual appeal. External factors, such as production constraints, also influenced design choices. Moreover, with evolving technology, leveraging the right tools for accurate simulations was paramount. Bridging this gap between computational efficiency and human-centric design was the crux of my challenge.
Noiʻi
This design research focuses on the application of 3D printing technology in furniture manufacturing, aiming to explore its potential impact on innovation and environmental sustainability. I employed a comparative analysis, contrasting the efficiency, material usage, and environmental footprint between traditional furniture production and 3D printed furniture. Data collection primarily relied on surveys involving 20 furniture designers and 100 general consumers, and we also crafted a series of prototypes using CAD software and 3D printers. The results revealed that 3D printing technology can reduce material waste by approximately 25% and shorten production time by about 30% in furniture manufacturing. This discovery underscores the significant innovation opportunities 3D printing introduces to the furniture design industry, while also presenting a reduced environmental impact. In real-life implications, this suggests that the furniture sector is on the cusp of a transformative shift, which could not only stimulate commercial growth but also reshape consumption patterns and innovative thinking in the design world.
Hoʻoulu Manaʻo
Plastic's introduction has drawn both praise and criticism. Its unmatched convenience makes it indispensable, but its environmental impact is concerning. In my opinion, plastic's eco-impact largely rests on our handling. When recycled efficiently, its harm lessens. Moreover, achieving design goals with minimal plastic material signifies sustainable design. Inspired by this, I'm developing a plastic-based design, leveraging simulations for structural support. Merging elegant lines into the chair's design, I aim to balance aesthetics with mechanics.
Ka Lōʻihi o ka Papahana
from February 2022 to September 2023.
Chengdu, Sichuan,China
Kaʻina Hana
Operation:
1. Initialize the algorithm with set parameters.
2. Run the algorithm to get the initial chair design.
3. Designers evaluate the computer-generated model.

Process:
1. Refine the model post-review, emphasizing ergonomics.
2. Create a prototype, using methods like 3D printing.
3. Test the prototype's comfort and durability.
4. Analyze feedback, refine the design as needed, and repeat until optimal.

Interaction:
1. Designers input parameters and refine the algorithm's output.
2. Physical prototypes help designers assess design quality.
3. End-users test the chair, providing comfort and usability feedback.
4. Designers work with the production team to ensure the design is production-ready.
Nā Kuleana Kiʻi
Image #1:creator Yang Siqi ,2023
Image #2: Model Yang Siqi , 2023
Image #3: Model Yang Siqi , 2023
Image #4: creator Yang Siqi ,2023
Image #4: creator Yang Siqi ,2023

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