Arnold-II Robota Lawelawe no nā Hale ʻAina na Junjie Yin

ʻO Arnold-II Robota Lawelawe no nā Hale ʻAina na Junjie Yin he mea lanakila hanohano loa o ka 2024 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi Lolouila, Hōʻike ʻEkolu Ana, Hōʻailona a me Hōʻike Kiʻi.

HaoKiʻi Lolouila· 2024

Arnold-II Robota Lawelawe no nā Hale ʻAina

na Junjie Yin

Mea Kūʻai: Junjie Yin

Mea Lanakila A' Design Award Hao ma ka Māhele Kiʻi Lolouila

33,070

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #155199

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Arnold-II Robota Lawelawe no nā Hale ʻAina

ʻO kēia he hoʻolālā robota i hoʻokumu ʻia ma ka retrofuturism ma kahi honua moʻolelo. ʻO ka Arnold-II ka ʻano ʻelua mai Arnold Industries, a ʻo ia ka huahana lanakila loa. Ua hoʻolālā ʻia no ka hale ʻaina e like me he lawelawe ʻaina. Hiki i nā mea kūʻai ke hoʻohana pololei i kēia robota e kauoha i ka ʻaina, e loaʻa i kā lākou mau mea ʻai, a hoʻopau i ka hana uku. E pani piha kēia robota i nā limahana kanaka ma ka hale ʻaina.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Arnold-II Robota Lawelawe no nā Hale ʻAina i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Arnold-II Robota Lawelawe no nā Hale ʻAina he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Arnold-II Robota Lawelawe no nā Hale ʻAina no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This is a android design base on retrofuturism in a fictional world . The Arnold-II is the second type from Arnold Industries, and it's also the most successful product. It has a screen and keyboard for customers to order food, a oven to cook some specific food. There is a vacuum cleaner on both feet to do some cleaning.
Nā Ana a me ka Hoʻopili: The robot's head is equipped with a main camera and two auxiliary cameras, a speaker, and multiple microphones. The head can freely rotate 360 degrees to observe the surroundings. There are multiple sensors on the arms and thighs of the robot, each with indicator lights. The robot's arms can move freely like a human's, with additional joints in the upper and lower arms to enable a wider range of motion. On the robot's body, there is a keyboard, display screen, printer, card reader, small oven, and a small container. The legs are equipped with vacuum cleaners and wheels for mobility.
Nā Lepili: Concept Art, Android Design, Retrofuturism, Digital Art, Personal IP
ʻEnehana Hana: When I was designing this robot, I prioritized what I considered important features. I also studied a lot of product designs from the 1970s and 1980s, and I found that they often favored bold colors and simple, square shapes. As a service robot, this robot should appear very friendly and non-threatening. Secondly, this robot needs to serve customers in a restaurant as a waiter, so it should have the functionality to take orders and payment.
Pilikia Hoʻolālā: The artist finds that creating this entirely new style of retro-futurism is the biggest challenge. He has extracted a lot of design inspiration from product designs of the 70s and 80s, but he struggles with how to apply these inspirations and elements to my sci-fi design concept. The artist needs to use retro elements to build a sci-fi world, and in the clash of these two elements, he needs to find a balance point where they can seamlessly come together in a perfect union.
Noiʻi: Since this is a robot in a fictional world, I had a lot of creative freedom when designing it to make it visually appealing. The world adopting retro-futurism as the basic aesthetic style allowed me to focus most of my research on seamlessly blending retro aesthetics with the futuristic elements I envisioned.
Hoʻoulu Manaʻo: The artist got a lot of inspirations from 70s and 80s art and design. Under the impact of space age, a lot of industrial designs had very clean shape and bold colors.
Ka Lōʻihi o ka Papahana: The design started in 2021 in Los Angeles and finished in August 2022 December in Los Angeles
Kaʻina Hana: The robot is equipped with basic microphones and speakers, and most of the time, customers will use voice communication to interact with the robot. The robot also has a display screen and keyboard to handle other specific situations. Additionally, the robot is equipped with a small oven to provide guests with free bread and cookies. Customers can also retrieve utensils and napkins from containers on the robot. The robot's legs are equipped with a simple vacuum cleaner and can perform some basic cleaning while moving. The robot uses wheels to move on smooth surfaces and switches to a walking mode when encountering obstacles like stairs or uneven terrain.
Nā Palapala Kuleana: Image#1, Main body Details, Junjie Yin, 2022.
Image#2, Leg Details, Junjie Yin, 2022.
Image#3, Arm Details, Junjie Yin, 2022.
Image#4, Back Details, Junjie Yin, 2022.
Nā Kuleana Kiʻi: Image#1, Main body Details, Junjie Yin, 2022.
Image#2, Leg Details, Junjie Yin, 2022.
Image#3, Arm Details, Junjie Yin, 2022.
Image#4, Back Details, Junjie Yin, 2022.