The Ancient Mexicans Ka Hōʻike Kūlana Hōʻikeʻike na Eduardo Guizar Vukovich

ʻO The Ancient Mexicans Ka Hōʻike Kūlana Hōʻikeʻike na Eduardo Guizar Vukovich he mea lanakila hanohano loa o ka 2024 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Waiwai Moʻomeheu a me ʻOihana Moʻomeheu.

KalaWaiwai Moʻomeheu· 2024

The Ancient Mexicans Ka Hōʻike Kūlana Hōʻikeʻike

na Eduardo Guizar Vukovich

Mea Kūʻai: Universidad de Monterrey

Mea Lanakila A' Design Award Kala ma ka Māhele Waiwai Moʻomeheu

54,244

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #158345

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā The Ancient Mexicans Ka Hōʻike Kūlana Hōʻikeʻike

He hōʻailona kiʻi ʻo The Ancient Mexicans no kahi hōʻikeʻike paʻa mau o nā moʻomeheu Mekiko ma mua o ka wā Sepania ma ka Hale Hōʻikeʻike o ka Hikina ʻĀkau ma Monterrey, Mekiko. Ua hoʻokumu ʻia ka hōʻailona ma luna o ka manaʻo o nā hōkū hui. Ua kau ʻia kahi pākuhi kiko ma luna o nā kiʻi o nā mea hōʻikeʻike i koho ʻia, a ua hoʻohana ʻia nā huinahā like a me ko lākou mau ʻano like ʻole no ka hana ʻana i nā kiʻi hōʻailona no kēlā me kēia moʻomeheu a me kēlā me kēia kumuhana. Hoʻohuli ʻia a hana hou ʻia nā kiʻi hōʻailona no ka hoʻokumu ʻana i nā lauhue e hana ana ma ke ʻano he mau māhele a e kūpono ana i kēlā me kēia hoʻohana ʻana. Kākoʻo ka hoʻolālā ʻikepili i loko o ka hōʻikeʻike i ka ʻike o ka mea kipa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā The Ancient Mexicans Ka Hōʻike Kūlana Hōʻikeʻike i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā The Ancient Mexicans Ka Hōʻike Kūlana Hōʻikeʻike he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā The Ancient Mexicans Ka Hōʻike Kūlana Hōʻikeʻike e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Design of a new graphic identity that is flexible and functional, as well as a communication strategy that attracts the public to the exhibition of Ancient Mexicans, (exhibition of Mexican pre-Hispanic cultures at the Museum of the Northeast in Mexico, MUNE); offer information design within of the exhibition to enhance the experience of the user and finally, promote knowledge of pre-Hispanic cultures in the Northeast of the country through graphic design.
Nā Ana a me ka Hoʻopili: The exhibition The Ancient Mexicans has 466 pieces, these are divided within the exhibition in cultures and themes. During the development From the graphic identity, two were selected
pieces from each culture and theme. to make choose each piece, were considered the most representative and with better photographs of the technical sheets provided by the Alfa Planetarium.
The first thing that was done during the abstraction process
of the graphic elements was to select the image of the piece, consistent with this step, the reticle was placed over the image and the opacity of the image in order to be able to observe
with greater clarity. Finally, the main element, which is the square and its variations on the image and the grid, generating
as a result different pictograms, or elements graphics for graphic identity.
Nā Lepili: Cultural, Heritage, Pre-hispanic, museum, archaeology, identity, signage, Aztecs, Mayans
ʻEnehana Hana: For the graphic identity, a grid created from the concept of Constellations, considering that the stars when they come together generate new ones figures, different shapes were placed and organized points. By joining four points with lines, we generate a square.
Pilikia Hoʻolālā: For the creation of the graphic identity, it was taken into account
account our client, the investigation, the public objective and the concept of Constellations. Starting From this background, several characteristics that we consider essential for what was sought to be represented through the graphic identity. We translate these characteristics to goals, which are: having an identity flexible, attractive, recognizable and current graphics.
Noiʻi: Interviews were carried out with people specialized in the field
of museums. The Double Diamond Model was implemented, methodology that allows improving creative processes and idea prototyping. Various world-class museums were visited and the creative proposal was developed. From the research process, we developed the concept for the development of graphic identity. It arose from the search to connect the present with the past.
Taking this into account, a reflection was carried out about connections such as the union between two or more things that sometimes reveal to us and communicate new messages.
Hoʻoulu Manaʻo: Our country has a deep and extensive history, in Mexico from 2,500 BC. In 1521, a series of cultures developed, among which the Olmecs, Teotihuacans, Mayans, Zapotecs, Toltecs, Mixtecs and Mexicas or Aztecs.

Codices consist of pictorial documents or images that serve as a historical source in which the pre-Hispanic peoples left recorded its cultural and scientific advances, beliefs, rituals, system economic, chronology and in essence… its history.
Ka Lōʻihi o ka Papahana: The design for the exhibition will be permanently at the Museo del Noreste (MUNE), in Monterrey Nuevo León, Mexico.
Kaʻina Hana: From the development of graphic elements designed based on the search for representation of each culture and theme, we decided to make emphasis on one of the goals established for the new graphic identity of “Los Antiguos Mexicanos”,
flexibility.
With the aim of designing a graphic identity flexible, a series of patterns were generated from the graphic elements. These are formed through reflection and repetition of one of the graphic elements. Each pattern works as module and system; usage varies depending on the application.
Nā Lālā Hui: Andrea Rodríguez Tapia
Ariadna García Ríos
Daniela de la Fuente Lozano
Isabel Villegas Martínez