ʻO Enno Cheng Daughters Ka Hoʻolālā Kahua Hoʻokani Mele na B'in Live he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hana Keaka, Kahua, ʻAno a me Nānā.
KalaHana Keaka· 2025
Enno Cheng Daughters Ka Hoʻolālā Kahua Hoʻokani Mele
na B'in Live
Mea Kūʻai: B'in Live
Mea Lanakila A' Design Award Kala ma ka Māhele Hana Keaka
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #163893Ka Hoʻolālā
E Pili Ana iā Enno Cheng Daughters Ka Hoʻolālā Kahua Hoʻokani Mele
He hoʻolālā kahua hoʻokani mele ʻo Daughters i hoʻokumu ʻia ma luna o ke kumuhana o ke kamaʻilio ʻana. Aia ma ke kahua nui ʻehā papa o nā pale LED huinahā like, he 6 me 6 mika ke ana o kēlā me kēia, a ua māhele ʻia i ʻewalu panela he 3 me 6 mika. Wehe, pani, hohola a uhi like nā pale, a neʻe pololei lākou i luna a i lalo a ma ka ʻaoʻao e kūpono ai i kēlā me kēia māhele o ka hōʻike. Ua koho ʻia nā panela LED kuʻuna ma kahi o nā panela aniani ʻike ʻia no nā hopena mālamalama a me ke aka ʻoi aku ka maopopo. Hui pū ʻia ka palapala, ka ʻōlelo kino, ke kani a me nā hōʻailona ma ke kahua e hōʻike ai i ka hiki i nā memo ke hala ma ʻō aku o nā pale ʻōlelo. Ua mālama ʻia ka ʻahamele ma Taipei i ʻAukake 2022.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Enno Cheng Daughters Ka Hoʻolālā Kahua Hoʻokani Mele i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Enno Cheng Daughters Ka Hoʻolālā Kahua Hoʻokani Mele he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Enno Cheng Daughters Ka Hoʻolālā Kahua Hoʻokani Mele e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- Communication evolves through various methods and media, making it increasingly diverse. The program showcases different communication modes via music and stage design, ensuring messages are conveyed effectively.
By blending music, visuals, body language, and text, the concert captures each song's essence and instills deeper meanings like human compassion, encouraging reflection and letting profound messages resonate long after. - Nā Ana a me ka Hoʻopili
- To enhance stage dynamics, the screens open, close, stretch, and overlap based on the segment, sometimes forming a complete square for added visual depth. Traditional LED screens are used instead of transparent ones to achieve clearer light and shadow effects through better lighting integration.
The main stage features four 6m x 6m screens divided into eight 3m x 6m rectangles. These screens can move vertically to adapt to different segments and music styles, maximizing their visual impact. - Nā Lepili
- Concert, Daughters, Enno, Communication, Language, Music, Message
- ʻEnehana Hana
- Effective communication occurs when the sender can express and the receiver can understand. The music arrangement encourages audience interaction, including clapping and movement. Additionally, dancers use sign language and Taiwanese Hokkien to highlight diverse forms of self-expression and understanding. This approach enriches the concert by showcasing how various mediums enhance experiences and convey messages uniquely.
- Pilikia Hoʻolālā
- One major technical challenge is the ceiling load issue. The four layers of LED screens, consisting of eight rectangular panels, need to open horizontally and move vertically.
Balancing screen movement and ceiling load becomes a key concern, making pre-show inspections crucial. Additionally, discussions with the lighting designer lead to choosing Fine Art 156 lights. This choice, due to its unlimited rotation capability, maximizes LED screen configuration while meeting safety load limits. - Noiʻi
- The concert features four main elements: body language, text, sound, and symbols. Rather than following a traditional sequence, these elements are combined in various ways to create new possibilities. Using four layers of square LED screens that move individually, both horizontally and vertically, creating diverse visual forms. This symbolizes neutral communication elements, where different combinations turn simple messages into unexpected reactions, highlighting endless interaction potential.
- Hoʻoulu Manaʻo
- The Daughters concert, inspired by Wu Ming-Yi's chapter "How the Brain Got Language" from "The Land of Little Rain", complements Enno Cheng's album on communication.
The stage features four square LED screens that move independently, symbolizing communication beyond language barriers. Combining words, gestures, and sounds, it creates dynamic visuals and a chemistry of shared messages, offering a profound and thought-provoking experience focused on human compassion. - Ka Lōʻihi o ka Papahana
- The concert was held in August 2022 in Taipei.
- Kaʻina Hana
- Communication evolves with technology and time, from an infant's cry and facial expressions to sign language, Morse code, and more.
The "Daughters" concert's stage design and program aim to not only soothe with music but also prompt a re-evaluation of communication's significance. Beyond conveying messages, diverse forms of communication can transcend borders and language barriers, fostering unexpected love and strength for individuals and society. - Nā Lālā Hui
- Creative Director：Crystal Chuang
Show Director：Wenyu Shih
Show Crew：Genie Hsiao / Genie Hsiao / Kelly Wang / Doris Li / Ruby Lin
Technical Coordination：B’in Live
Stage Manager：Shiuan Min Pam
Stage & Set Design：Roni Wu / Nia Chen
Lighting Design：(ANH Design) Hwua Hwua Shen / Ashton Wu / Suschi Chen
Video Content Director：Bonnie Kuo
Video Content Design：Bonnie Kuo / Jessic Chen / Ruby Chi / Nas Weng / Minting Lin / (Phototaxi) Nelson Wu, Mo Lee, Caca Ma
Camera Director：Phoebe Lu
Assistant Camera Director：Sing-ru Lin
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