Cheers To Macau Hoʻolālā Hoʻonui Moʻomeheu Māmā na Lampo Leong and Chao Yang

ʻO Cheers To Macau Hoʻolālā Hoʻonui Moʻomeheu Māmā na Lampo Leong and Chao Yang he mea lanakila hanohano loa o ka 2025 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.

KeleaweHana Noʻeau· 2025

Cheers To Macau Hoʻolālā Hoʻonui Moʻomeheu Māmā

na Lampo Leong and Chao Yang

Mea Kūʻai: Unversity of Macau Centre for Arts and Design

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hana Noʻeau

38,221

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #164406

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Cheers To Macau Hoʻolālā Hoʻonui Moʻomeheu Māmā

Hoʻomaikaʻi iā Makau ke kūkulu ʻana i nā manaʻo hohonu ma o ka hoʻololi ʻana i nā ʻīpuka pia aluminuma i pōhaku kilika i mōʻī ʻia, hōʻike i ka hui moʻomeheu kūʻokoʻa o Makau a me ka mālama ʻāina o kēia wā. Hoʻokomo ka mamanu i nā kiʻi e like me nā Ruins of St. Paul's, nā ʻano waihona tile Pokukala, kikokikona ʻōlelo ʻelua (Pākē a me Pelekānia), a me nā paki gula i hoʻonani ʻia me ka palapala lima Pākē ʻōlohe i hoʻopili ʻia i ka pua loeka. Hoʻohui kēia hana ʻenehana i ka ʻenehana Pākē kahiko me nā hana hoʻohālike o ka Abstract Expressionism.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Cheers To Macau Hoʻolālā Hoʻonui Moʻomeheu Māmā i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Cheers To Macau Hoʻolālā Hoʻonui Moʻomeheu Māmā he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Cheers To Macau Hoʻolālā Hoʻonui Moʻomeheu Māmā i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: "Cheers To Macau" conveys conceptual significance by transforming aluminum beer cans into crumpled porcelain. This artistic approach highlights Macau's unique cultural fusion while symbolizing modern environmental consciousness. The design incorporates elements such as the Ruins of St. Paul‘s, intricate Portuguese tile patterns, bilingual text in Chinese and English, and dynamic gold accents. These are complemented by cursive Chinese calligraphy inspired by the lotus motif, merging traditional Chinese art with the expressive energy of Abstract Expressionism.
Nā Ana a me ka Hoʻopili: The size of this work is variable and it could be displayed in many different ways, such as hanging the porcelain cans on the wall to create an art installation or framed in an acrylic box frame.
Nā Lepili: Culture Industry Design, Cultural Heritage, Calligraphy Design, Bland Visual Extension Design
ʻEnehana Hana: This is a cultural heritage bland extension design with 3D sculptural form in porcelain.
Pilikia Hoʻolālā: Cheers To Macau is a brand extension culture industry design for Macau Beer. It embodies rich conceptual meanings through the transformation of mediums. The Western aluminum beer cans metamorphose into Jingdezhen blue-and-white porcelain, symbolizing Macau’s blend of Chinese and Western cultures over the past four centuries. This project promotes Macau Beer by highlighting the cultural connection between the artworks and Macau's history.
Noiʻi: The design incorporates elements such as the motifs of Macau city flower lotus, the Ruins of St. Paul’s, and Portuguese tile patterns, as well as the gold splashes. These elements underscore Macau’s unique historical journey. The wild cursive Chinese calligraphy on the cans features ancient Chinese poetry centered around the lotus theme, blending traditional Chinese art with the gesture abstraction of Western Abstract Expressionism. The faded Chinese text derive from Sun Yat-sen’s famous quote in Zheng Guanying's "Words of Warning in Prosperous Times," representing the ideals of Chinese thinkers in Macau during the late Qing Dynasty, just before the establishment of the Republic of China.
Hoʻoulu Manaʻo: The most exhilarating aspect of this design project lies in integrating brand and visual extension design into a three-dimensional sculptural form. Furthermore, the interplay between diverse mediums and textual elements adds an intriguing and stimulating dimension. The fusion of graphic design and sculpture opens up possibilities for engaging viewers!
Ka Lōʻihi o ka Papahana: This project started in Macao in 2023 and finished in 2024. The work has been exhibited in Macao Contemporary Art Center, and received many awards internationally, including 100 Best Annual in Creative Quarterly International Art competition in New York, USA; RedDot Award: Best of the Best in Berlin, Germany; and Silver Award in The Second Quanzhou Zayton Cup International Design Competition in China.
Kaʻina Hana: This project could also be displayed as installation or framed within an acrylic box frame.
Nā Palapala Kuleana: Copyrights belong to Lampo Leong, 2024.
Nā Lālā Hui: Lampo Leong
Chao Yang
Nā Kuleana Kiʻi: Image #1: Lampo Leong, 2024
Image #2: Lampo Leong, 2024
Image #3: Lampo Leong, 2024
Image #4: Lampo Leong, 2024
Image #5: Lampo Leong, 2024