King Mo Hale Kūʻai Mea Nani na Masato Kure

ʻO King Mo Hale Kūʻai Mea Nani na Masato Kure he mea lanakila hanohano loa o ka 2025 A' Design Award Gula ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

GulaLoko Hale· 2025

King Mo Hale Kūʻai Mea Nani

na Masato Kure

Mea Kūʻai: King Mo

Mea Lanakila A' Design Award Gula ma ka Māhele Loko Hale

164,479

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #164682

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā King Mo Hale Kūʻai Mea Nani

He hale kūʻai mea nani ʻo King Mo e hōʻiliʻili ana i kekahi mau hōʻailona kūʻai mea nani i loko o hoʻokahi wahi. Ua hoʻokumu ʻia ka hoʻolālā ma ka manaʻo o ka hōʻiliʻili ʻana o nā pōhaku makamae. Ua hana ʻia ke kaupoku me nā koʻokoʻo kila keʻokeʻo i hoʻonohonoho ʻia ma nā laina pihaʻā makemakika, e hana ana i kahi kiʻi ʻekolu ana e ʻike ʻia me he mea lā e loli ana ma muli o kahi e nānā ʻia ai. He 80 milimika ke anawaena o kēlā me kēia koʻokoʻo, a paʻa i loko nā ʻōnaehana kukui a me nā ʻōnaehana kīpī wai. Ua helu ʻia nā koʻokoʻo a hoʻokomo ʻia ma ka papa helu, no ka mea, ʻokoʻa ko lākou lōʻihi. He 1200 mika huinahā ka nui o ka hale kūʻai, a ma kahi o 500 mika huinahā he mau wahi kaʻawale no ka lehulehu.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Gula

Ua lanakila ka hoʻolālā King Mo Hale Kūʻai Mea Nani i ka A' Design Award Gula, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā pae mua, kupaianaha a kūʻokoʻa. He mau hana hou loa, ʻike maka a nani hoʻolaʻa nā lanakila Gula e hōʻike ana i ka ʻuhane akamai, ka naʻauao a me ka mākau o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā King Mo Hale Kūʻai Mea Nani he mea hoʻokumu i hoʻomaikaʻi nui ʻia, e hoʻokumu ana i nā ʻano hou, he nui, e hāʻawi ana i ka waiwai ʻaʻole i ʻike ʻia ma mua. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Gula he papahana kupaianaha, mahalo ʻia e hāʻawi i ka pōmaikaʻi nui a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hoʻāla ka hoʻolālā King Mo Hale Kūʻai Mea Nani i nā manaʻo makemake ikaika, hoʻāla i ka ʻiʻini, hoʻoulu i ka hana noʻeau a hoʻopūliki iā mākou.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This jewelry boutique, a composite store gathering various jewelry brands, offers a space where the allure of gems and accessories shines. Inspired by the concept of an "accumulation of gems," the spatial design is crafted with a series of white rods, arranged along mathematical curves to form a structured, three-dimensional ceiling pattern. These rods create geometric shapes that change depending on the viewing angle, echoing the intricate play of light seen in the gems themselves.

The ceiling decoration resembles a collection of radiant gems, mirroring the jewelry’s sparkle and creating an extraordinary spatial experience. The boutique goes beyond being just a display space; it elevates each piece’s unique beauty, offering visitors an experience akin to walking through an art gallery, where the jewelry becomes an art form in its own right.
Nā Ana a me ka Hoʻopili: The total area of the store is 1200 square meters, with approximately 500 square meters allocated for common areas.
Nā Lepili: Jewelry Showcase,Geometric,Organic
ʻEnehana Hana: To accommodate lighting and sprinkler systems within the white steel rods, each rod was designed with a diameter of 80mm. Since each rod varies in length, we created a ceiling panel with holes arranged according to a set pattern to facilitate efficient installation. Each rod was numbered, and installed in the ceiling one by one, following the numerical order. This method allowed us to accurately and effectively realize the complex design.
Pilikia Hoʻolālā: This store project encountered several challenges, such as the precise placement of steel rods based on mathematical curves, integrating facilities within these rods, and handling rods of varying lengths during installation. Calculating and arranging the rods was essential for creating the intended visual impact and dynamic space, requiring significant effort and precision. Furthermore, incorporating lighting and sprinkler systems within the 80mm diameter rods posed technical difficulties. Each rod needed to be individually numbered and installed according to the design plan, adding to the complexity. Despite these obstacles, the team found innovative solutions to harmonize aesthetics and functionality, ultimately providing visitors with an extraordinary spatial experience.
Noiʻi: This store design centers on crafting an extraordinary space and a visually cohesive experience that highlights the uniqueness of each brand. The aim is to offer visitors a memorable shopping experience that goes beyond the typical retail environment. The design features white steel rods arranged in mathematical curves, creating complex and dynamic three-dimensional structures. This immersive environment makes visitors feel as if they are stepping into a space far removed from their everyday lives, transforming shopping into a special occasion.

As a composite store featuring various jewelry brands, the spatial design respects the identity of each brand while ensuring overall harmony and continuity. This allows customers to easily discern the characteristics of each brand while experiencing a unified aesthetic within the larger environment. The approach appeals to customers' emotions, fostering stronger emotional connections and encouraging purchase intent. In the competitive jewelry market, this design strategy establishes a distinctive position and lays the groundwork for building customer loyalty.
Hoʻoulu Manaʻo: The design concept centers around the 'accumulation of gems.' Attention is given to how necklaces and bracelets are composed of collections of small gems. The ceiling decoration represents the ensemble of countless gems emitting light, emulating the complex and beautiful reflections of light. In this space, visitors can appreciate the individuality of the accessories and the underlying design intentions.
Ka Lōʻihi o ka Papahana: The project started in January 2023 and was completed in February 2024. The project is located on the third floor of the KING MO shopping mall in Nanjing, China.
Kaʻina Hana: The white rods, placed according to mathematical curves on the ceiling, begin to take on a slack-like shape as they spread from the central part of the store towards the periphery. This organic transformation is designed to gently envelop the surroundings of the store, enhancing its features while maintaining overall harmony.

In conjunction with each display inside the store, this design offers visitors a space that evokes the natural flow and rhythm of nature, providing not just a visual display of products but an experience that stimulates the senses.
Nā Lālā Hui: Masashi Ota
Yosuke Tsukamoto
Nā Kuleana Kiʻi: Photo:ingallery