ʻO Bellamy Sans ʻAno Kikokikona na Paul Robb and Moira Bartoloni he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi, Kiʻi Paʻi a me Kamaʻilio ʻIke.
KalaKiʻi· 2025
Bellamy Sans ʻAno Kikokikona
na Paul Robb and Moira Bartoloni
Mea Kūʻai: S6 Foundry
Mea Lanakila A' Design Award Kala ma ka Māhele Kiʻi
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #167745Ka Hoʻolālā
E Pili Ana iā Bellamy Sans ʻAno Kikokikona
ʻO Bellamy Sans he ʻano kikokikona sans-serif kūhelu e hoʻololi hou ana i ka ʻano grotesque ma o kekahi noʻonoʻo maʻemaʻe a kūhelu. Me kona kumu i nā ʻano palapala Kuikilani, mālama ʻia ka manaʻo nui o ka kū like me ka hoʻokomo ʻana i kekahi ʻano maʻaloli i ka paʻakikī o nā grotesque kahiko. Hāʻawi ka ʻokoʻa uuku a me nā pōʻai i hana ʻia me ka mālama nui i kekahi naninani haʻahaʻa i ka ʻano kikokikona, me ka maopopo pono e puka mai ana me ka hilinai ʻole i nā mea hoʻonani keu.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Bellamy Sans ʻAno Kikokikona i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Bellamy Sans ʻAno Kikokikona he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Bellamy Sans ʻAno Kikokikona e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
- Nā Ana a me ka Hoʻopili
- The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
- Nā Lepili
- Type design, Typeface, Specimen
- ʻEnehana Hana
- The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
- Pilikia Hoʻolālā
- The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
- Noiʻi
- This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
- Hoʻoulu Manaʻo
- The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
- Ka Lōʻihi o ka Papahana
- The initial designs were designed in November 2023 with the digital font launched in September 2024.
- Kaʻina Hana
- The Specimen book was sent to the first ten companies that ordered the complete family.
- Nā Lālā Hui
- Paul Henry Robb
Moria Bartoloni - Nā Kuleana Kiʻi
- Paul Henry Robb
Kākoʻo ʻIa
ʻImi ma ʻō aku o Designers.org
E ʻimi i nā huahana, nā lawelawe a me nā manawa mai kā mākou mau hoa hoʻolaha.
Hou Aku e ʻImi Ai
Nā Hoʻolālā Pili
E ʻimi i nā hoʻolālā lanakila hou mai ka māhele like, i koho ʻia ma ka waiwai.
