Cest Lavie Gallery Hoʻolālā Loko Kālepa na Mto & Hwcd

ʻO Cest Lavie Gallery Hoʻolālā Loko Kālepa na Mto & Hwcd he mea lanakila hanohano loa o ka 2026 A' Design Award Gula ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

GulaLoko Hale· 2026

Cest Lavie Gallery Hoʻolālā Loko Kālepa

na Mto & Hwcd

Mea Kūʻai: Mto & Hwcd

Mea Lanakila A' Design Award Gula ma ka Māhele Loko Hale

40,000

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #177038

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Cest Lavie Gallery Hoʻolālā Loko Kālepa

He hoʻolālā loko ʻo Cest Lavie Gallery no kahi hui nohona a hana noʻeau ma Chengdu, Kina. He 3,800 mika ʻāpana ka nui o ka wahi a hahai ia i ke ʻano hoʻonani nani ʻāhiu. Hoʻokumu ka māhele hana i nā wahi kūkākūkā ʻano Palani, nā wahi hōʻikeʻike hana noʻeau ʻApelika, a me nā wahi hoʻomaha, e ʻae ana i ka neʻe maʻalahi ma waena o nā wahi pilikino a me nā wahi ākea. ʻO nā mea hana, he ʻili lāʻau, pōhaku, aniani noʻeau, metala, a me nā lole i lawe ʻia mai nā ʻāina ʻē. Hoʻohui nā pōhaku ʻulaʻula mālama kaiapuni i hana kūikawā ʻia a me ka hulu hana ʻia i ka ʻano like ʻole o ka hāpai lima. Alakaʻi nā ʻano kūlohelohe a me ka mālamalama i ke ala o ka mea kipa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Gula

Ua lanakila ka hoʻolālā Cest Lavie Gallery Hoʻolālā Loko Kālepa i ka A' Design Award Gula, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā pae mua, kupaianaha a kūʻokoʻa. He mau hana hou loa, ʻike maka a nani hoʻolaʻa nā lanakila Gula e hōʻike ana i ka ʻuhane akamai, ka naʻauao a me ka mākau o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Cest Lavie Gallery Hoʻolālā Loko Kālepa he mea hoʻokumu i hoʻomaikaʻi nui ʻia, e hoʻokumu ana i nā ʻano hou, he nui, e hāʻawi ana i ka waiwai ʻaʻole i ʻike ʻia ma mua. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Gula he papahana kupaianaha, mahalo ʻia e hāʻawi i ka pōmaikaʻi nui a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hoʻāla ka hoʻolālā Cest Lavie Gallery Hoʻolālā Loko Kālepa i nā manaʻo makemake ikaika, hoʻāla i ka ʻiʻini, hoʻoulu i ka hana noʻeau a hoʻopūliki iā mākou.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Compared with similar commercial space designs, this project offers unique features and a fresh brand image. Crafted in a wild luxury style, it uses elegant eco-friendly materials to evoke a natural ambiance. Through functional zoning, it incorporates French-style artistic negotiation areas and African wild art exhibition areas, creating a stylish, understated luxury art club that fully embodies the spirit of wild luxury.
Nā Ana a me ka Hoʻopili: The project covers an interior space of 3,800 square meters in Chengdu. Functional zoning includes French-style negotiation areas and African wild art exhibition areas. Main materials include wood veneer, luxury stone, artistic glass, metal, imported fabrics, and customized eco-friendly red bricks and artificial fur, ensuring both durability and alignment with the wild luxury style.
Nā Lepili: Wild Luxury, Chengdu Culture, French-Style Negotiation, African Art Exhibition, Eco-Friendly Design, Recycled Materials, Luxury Stone, Artistic Glass, Contemporary Lifestyle, Sustainable Interior
ʻEnehana Hana: The project primarily utilizes materials such as wood veneer, luxury stone, artistic glass, metal, and imported fabrics, while also incorporating customized eco-friendly red bricks and customized artificial fur materials. The selection and application of these various materials align with the project's overall style and functional requirements.
Pilikia Hoʻolālā: The hardest challenge was developing customized eco-friendly red bricks and artificial fur, requiring R&D from production to on-site installation. A tight four-month schedule added pressure across building optimization, construction, and customization. Internally, balancing international aesthetics with Chengdu's cultural identity posed creative risks; externally, limited time and technical constraints demanded close collaboration and process refinement.
Noiʻi: This research was design-oriented, aiming to merge fashion, art, and commerce in Chengdu. Methods included cultural analysis, material research, and prototyping. Data were gathered through market studies, local cultural references, and material testing, with input from design teams, craftsmen, and clients. Results showed strong user resonance with wild luxury aesthetics. Insights reveal that eco-conscious material innovation can elevate commercial branding while enriching lifestyle experiences.
Hoʻoulu Manaʻo: The design inspiration of this project stems from three aspects: first, Chengdu's abundant natural resources and the surrounding environment of the project that is surrounded by mountains and waters; second, the new-type commercial lifestyle format presented by the project's name "Baiyu Ming" and its French counterpart "Cest lavie"; third, the current popular trend of wild luxury style and the project's demand for the expression of artistic life.
Ka Lōʻihi o ka Papahana: The project started in May 2025 and finished in August 2025 in China.
Kaʻina Hana: The gallery operates as a lifestyle and art club where visitors move through zones of negotiation, exhibition, and leisure. Natural textures and light guide interaction, while functional layouts allow seamless transitions between private and public areas. Customized materials enhance tactile experience, and the immersive atmosphere integrates art, nature, and commerce to deliver a refined, user-centered journey.
Nā Kuleana Kiʻi: Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.