Sarv Noho Pākaukau Kiʻekiʻe na Nastaran Khanzade

ʻO Sarv Noho Pākaukau Kiʻekiʻe na Nastaran Khanzade he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KeleaweLako Hale· 2026

Sarv Noho Pākaukau Kiʻekiʻe

na Nastaran Khanzade

Mea Kūʻai: Rendi

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #177115

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Sarv Noho Pākaukau Kiʻekiʻe

He noho pākaukau kiʻekiʻe ʻo Sarv i hoʻolālā ʻia no ka hoʻohana ʻana ma nā pākaukau a me nā papa kiʻekiʻe. Hana ʻia ke kino i ka lāʻau paʻa, a uhi ʻia ka noho i ka lole ma luna o ka foam paʻa loa. Ua hoʻoulu ʻia ke ʻano o kēia noho e ka lāʻau cypress Peresia, he hōʻailona o ke kūpaʻa ma ka moʻomeheu ʻIrana. Hoʻomanaʻo nā wāwae lōʻihi i ka ulu kū pololei ʻana o ka lāʻau, a like nā kau lima pihaʻā me kona mau lālā. Hui pū ʻia ka hana ʻana i ke ʻoki pololei, ka hoʻopiʻo mahu, ka wili CNC, a me ka hoʻopau lima ʻana. He 100 kenimika ke kiʻekiʻe o ka noho, he 50 kenimika ka laulā, a he 55 kenimika ka hohonu.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Sarv Noho Pākaukau Kiʻekiʻe i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Sarv Noho Pākaukau Kiʻekiʻe he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Sarv Noho Pākaukau Kiʻekiʻe i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This chair combines sculptural aesthetics with ergonomic functionality. Its fluid wooden frame is designed not only for structural integrity but also for visual harmony. The dynamic geometry of the legs provides stability while maintaining a sense of movement and lightness. The curved armrests offer subtle support, enhancing comfort without overwhelming the form. Each angle reveals a new perspective, allowing the piece to stand both as functional furniture and as a statement of art.
Nā Ana a me ka Hoʻopili: Specifications / Technical Properties
Dimensions: approx. 100 cm (height) x 50 cm (width) x 55 cm (depth)

Materials: Solid wood (walnut or ash) + high-density foam + fabric upholstery

Finish: Natural wood finish, hand-polished

Weight: Lightweight yet structurally stable
Nā Lepili: Counter Chair, Bar Stool, Wooden Furniture, Contemporary Design, Ergonomic Seating, Iranian Design, Cypress Inspiration, Modern Furniture, Handmade, Interior Design, Sustainable Furniture, Sculptural Chair, Art Furniture, Mashhad Design
ʻEnehana Hana: The chair is crafted from solid wood using advanced woodworking techniques such as precision cutting, steam bending, and joinery. The flowing organic form is achieved through CNC milling combined with hand-finishing, allowing both accuracy and a human touch. The seating surface is upholstered with high-quality fabric to enhance comfort while maintaining a minimalist aesthetic. Sustainable materials and processes were prioritized in order to reflect the natural inspiration behind the design.
Pilikia Hoʻolālā: The main challenge was transforming the vertical and symbolic essence of the cypress tree into a practical chair form. Maintaining balance between artistic expression and ergonomic functionality required extensive prototyping. Achieving the fluid organic structure with precision also demanded innovative production techniques, combining digital technology with traditional craftsmanship.
Noiʻi: The research behind the project focused on how natural symbols in Iranian culture could inspire contemporary furniture design. The cypress tree, often depicted in Persian gardens, carpets, and poetry, was studied for its form and symbolic meaning. The design sought to capture the tree’s balance between strength and grace. Structural research was also conducted to translate organic forms into functional joinery, ensuring both durability and ergonomic use.
Hoʻoulu Manaʻo: The design of this counter chair is inspired by the Persian cypress tree, a timeless symbol of freedom, resilience, and elegance in Iranian culture. Just like the cypress stands tall with its upward-reaching branches, the structure of the chair conveys both stability and lightness. The elongated legs reflect the vertical growth of the tree, while the fluid arms echo its branching form that opens gracefully towards the sky. Crafted in wood, the design translates the natural strength and serenity of the cypress into a contemporary seating piece, bridging nature, tradition, and modern living.
Ka Lōʻihi o ka Papahana: Location:
Designed and produced at Rendi Factory, Mashhad, Iran.

Project Duration:
The project started in 2024 and took approximately one month to complete, from concept development to final prototype.
Kaʻina Hana: The chair is designed for use at counters and high tables, offering a balance between comfort and posture. The seat provides ergonomic support with a cushioned surface, while the armrests give a sense of security and ease. Its stable wooden structure ensures durability, and its lightweight form allows for effortless movement and placement in different settings such as kitchens, bars, or social spaces.