Foam of Desire Hana Nui: Hoʻolālā ʻAʻahu na Kaiqi Zhang

ʻO Foam of Desire Hana Nui: Hoʻolālā ʻAʻahu na Kaiqi Zhang he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lole Keaka a me Lole Hoʻoilina.

KeleaweHoʻolālā Lole Keaka· 2026

Foam of Desire Hana Nui: Hoʻolālā ʻAʻahu

na Kaiqi Zhang

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Lole Keaka

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #178948

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Foam of Desire Hana Nui: Hoʻolālā ʻAʻahu

Kikokikona Puke: Ke kāhua nei ma luna o ka hoʻohewa ʻana i nā kuko a me ka hakahaka e wehewehe ana i ka hoʻolimalima waiwai o kēia au, hoʻohana kēia hana i ka hoʻolālā ʻaʻahu e hulikanaka i ka hoʻokaʻawale e palahē ana i loko o ka waiwai pono. Hana hou ʻo ia i ka ʻaʻahu aliʻi o ke kenekulia ʻumikūmāhiku, e kālai ana i kahi lole hiki ke hoʻopaʻa ʻia i kahi kiʻi pufeu e hoʻohālike ana i ke kino i ʻai ʻia e nā kuko. He papa kala o ka uliuli kakaʻikahi, e kūʻē ana me ka ʻākala momona a me ke ʻōmaʻomaʻo melemele maʻi, e hana ana i kahi hopena hoʻowalewale ma waho akā hoʻopilikia loa ma loko. Kono kēia paio i ka poʻe nānā e noʻonoʻo i ke ʻano o nā kuko.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Foam of Desire Hana Nui: Hoʻolālā ʻAʻahu i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Foam of Desire Hana Nui: Hoʻolālā ʻAʻahu he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Foam of Desire Hana Nui: Hoʻolālā ʻAʻahu i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Inspired by Epicure Mammon from The Alchemist, this piece reimagines European aristocratic attire from the 17th century to question the concept of decadent luxury. Using a specially engineered moldable fabric, the garment swells into a bloated silhouette reminiscent of bubbles, evoking bodies consumed by desires. Vivid turquoise blue and pink create a visual allure that is both jarring and seductive, with a sugary quality that prompts viewers to reflect on overconsumption and inner emptiness.
Nā Ana a me ka Hoʻopili: approximately 175 centimeters high, 140 centimeters wide and 80 centimeters deep
Nā Lepili: Clothing Design, Materializing Desires, Material Experimentation, Visual Metaphor, Irregular Forms, Visual Tension
ʻEnehana Hana: A specially engineered moldable fabric, adhesive when wet, allows for intuitive hand sculpting of volumetric forms. By laminating foam into the fabric and injecting air, this approach creates irregular organic bubbles with a unique hybrid texture, which is both translucent and semi rigid. When illuminated, these forms look like a second skin, materializing the concept of internal collapse festering beneath a surface of opulence.
Pilikia Hoʻolālā: The key challenge was to lead viewers from visual seduction to psychological unease, and the answer lay in color use. A rational turquoise blue base is invaded by lush pink accents that embody swelling desires, while traces of sickly yellowish green underneath hint at decay and exposure. The contrast between high saturation and low brightness, paired with matte and pearly finishes, creates a tension between a sweet appearance and hidden unease, turning initial allure into disquieting reflection.
Noiʻi: This work critiques the consumerist era by framing its core maladies: swelling desires and inner voids. Using the structure of seventeenth century aristocratic attire, the piece presents bloated, bubble like forms that symbolize a body consumed by insatiable desires. Jarring color combinations then guide viewers from visual seduction to psychological disquiet, ultimately revealing the spiritual barrenness hidden behind a luxurious facade.
Hoʻoulu Manaʻo: This piece takes its cue from Epicure Mammon, an embodiment of insatiable desires in the play The Alchemist. It deconstructs the symbolic language of seventeenth century aristocratic attire to pose a question about beauty in excess. Each element becomes a visual narrative around the body, speaking of desires that swell, promises that prove false, and the inescapable reality of decay.
Ka Lōʻihi o ka Papahana: The project commenced in October 2023 in London, United Kingdom. The initial toile was completed in December 2023, and the project concluded in March 2024 with the completion of the final garment.
Kaʻina Hana: This work redefines clothing from a mere covering for the body into an aggressive entity that devours it. The doublet, with its dramatically exaggerated chest and shoulders, achieves a swollen, voluptuous contour that makes inner desires visibly manifest in the flesh. The asymmetrically reshaped ruff collar, when illuminated, casts an encircling shadow, mirroring the confinement in a prison built from greed and vanity.
Nā Lālā Hui: Kaiqi Zhang