Vitrine MDS Hana Nui: Hōʻikeʻike na Thiago Mondini

ʻO Vitrine MDS Hana Nui: Hōʻikeʻike na Thiago Mondini he mea lanakila hanohano loa o ka 2026 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hōʻike Kālepa, Loko Hale a me Hōʻike.

HaoHōʻike Kālepa· 2026

Vitrine MDS Hana Nui: Hōʻikeʻike

na Thiago Mondini

Mea Kūʻai: Thiago Mondini Arquitetura

Mea Lanakila A' Design Award Hao ma ka Māhele Hōʻike Kālepa

6,285

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #180515

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Vitrine MDS Hana Nui: Hōʻikeʻike

Ua hoʻolālā ʻia ka wahi ma ke ʻano he hōʻikeʻike manawaleʻa i loko o kahi hale kūʻai, me ka manaʻo e hōʻike i nā lako pahu keʻena ma ke ʻano hale hōʻikeʻike a ʻoi aku ka liʻiliʻi o ke ʻano kālepa. Ma kahi o ka hōʻike kūʻai maʻamau, ʻae ka hoʻonohonoho ʻana i kēlā me kēia ʻāpana e ʻike ʻia me ka nānā pono a me ka mōakāka. Hana ka loko hina ʻeleʻ ele o ka hale kūʻai ma ke ʻano he papa kua ʻokoʻa no kahi koho waiwai o nā lole a me nā hoʻopau ʻaneʻane hoʻokahi kala. Ua koho pono ʻia kēia mau kala e hōʻike i ka hoʻolālā a me nā kikoʻī o kēlā me kēia ʻāpana ʻoiai e mālama ana i ka haku holoʻokoʻa me ka mālie a me ke kaulike ʻike maka.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Vitrine MDS Hana Nui: Hōʻikeʻike i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Vitrine MDS Hana Nui: Hōʻikeʻike he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Vitrine MDS Hana Nui: Hōʻikeʻike no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This exhibition was conceived for a retail space with the intention of presenting office furniture in a way that moves beyond the conventional office setting. Rather than emphasizing functionality alone, the design creates an environment where the pieces can be experienced from a more expressive perspective. Through the use of color, materials, and atmosphere, the space becomes a vibrant and sensorial experience that invites visitors to engage with the furniture in an unexpected way.
Nā Ana a me ka Hoʻopili: 17 square meters of exhibition space inside an office-furniture store.
Nā Lepili: exhibition, interiors, interior design, office, office space, furniture, store, brazil, brasil
ʻEnehana Hana: The design process focused on carefully selecting finishes to create a cohesive yet nuanced composition. A predominantly monochromatic palette formed the base concept, while subtle variations in fabric textures and tones were used to give each piece its own identity. Another challenge was working with a limited range of products, as the exhibition prioritized newly launched items for the inaugural event. This constraint required strategic curation and thoughtful spatial arrangement to create visual richness with a small selection.
Pilikia Hoʻolālā: The challenge lay in presenting diverse products within a single space without visual conflict. The solution embraced a monochromatic palette, allowing each piece to be highlighted individually while maintaining a harmonious and cohesive overall composition.
Noiʻi: Type of research was design-focused, aimed at exploring non-commercial ways to present office furniture. Objectives included highlighting product design and creating an engaging, sensorial experience. Methodology combined visual analysis, material studies, and spatial composition. Data collection used fabric samples, color tests, and mock-ups, with feedback from store staff and visitors. Results showed subtle contrasts enhanced perception of each piece. Insights revealed careful curation can elevate product presentation, influencing retail design and customer engagement.
Hoʻoulu Manaʻo: Color contrast and color blocks. Cozyness, textures and good lighting. Interesting shapes and compositions. This is a space to feel at home, not at an office.
Ka Lōʻihi o ka Papahana: The project started in June 2025 and finished in August 2025. It was displayed in Balneario Camboriu, Brazil.
Kaʻina Hana: Interaction happens through movement and perception. As visitors walk through the exhibition, each furniture piece is revealed within a carefully composed visual sequence. The monochromatic palette creates a calm base, while subtle variations in fabrics and finishes encourage closer observation. This approach allows each object to stand out individually without visual conflict, transforming a conventional retail display into a more immersive and gallery-like experience.
Nā Lālā Hui: Architect: Thiago Mondini
Nā Kuleana Kiʻi: Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso