Lele i ka ʻike
Cycle Of Matter Kahua Hōʻikeʻike na Marzena Michalska - Smart Design Expo

ʻO Cycle Of Matter Kahua Hōʻikeʻike na Marzena Michalska - Smart Design Expo he mea lanakila hanohano loa o ka 2026 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hōʻike Kālepa, Loko Hale a me Hōʻike.


KalaHōʻike Kālepa· 2026

Cycle Of Matter Kahua Hōʻikeʻike

na Marzena Michalska - Smart Design Expo

Mea Kūʻai: Smart Design Expo

Mea Lanakila A' Design Award Kala ma ka Māhele Hōʻike Kālepa

12,868

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #181174

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Cycle Of Matter Kahua Hōʻikeʻike

He kahua hōʻikeʻike ʻo Cycle of Matter i hoʻolālā ʻia no kekahi mea hana tile kelamika. Ua uhi ke kahua i 135 mika huinahā a piʻi ke kiʻekiʻe loa i 4 mika. ʻAʻole hōʻike nui kona ʻano waho i pani ʻia, no laila e wehewehe ʻia ka moʻolelo o loko ma hope wale nō o ke komo ʻana. Ua uhi ʻia nā ʻili i nā tile kumu me ka ʻole o ke kala a me ka lau, e hōʻike ana i ka waiwai ma kona kūlana maka. Alakaʻi kekahi ala waena i nā malihini ma o kahi kaʻina o nā wahi e hōʻike ana i nā pae o ka hana ʻana i ka tile. Hoʻokumu nā paia hoʻokaʻawale i hana pilikino ʻia, ka papahele kahua a me kahi 160 mau kukui i ka huakaʻi kipa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Cycle Of Matter Kahua Hōʻikeʻike i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Cycle Of Matter Kahua Hōʻikeʻike he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Cycle Of Matter Kahua Hōʻikeʻike e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
Art in Motion. Material that lives.
The Stargres booth was conceived as a spatial narrative about the life of a tile. Its compact, enclosed architecture reveals little from the outside, concealing a story that unfolds only once inside. Clad entirely in raw base tiles without color or pattern, the monochromatic earth-tone space is structured around a central corridor guiding visitors through symbolic stages of tile creation, highlighting process, material origin and rediscovery.
Nā Ana a me ka Hoʻopili
Total area: 135 sqm
Maximum height: 4000 mm
Platform height: 150 mm
Cladded surface with ceramic tiles: approx. 250 sqm
Custom partitions: 17 X type modules, 3 V type modules
Suspended tile composition: 16.5 sqm
Lighting fixtures: approx. 160 units
Integrated AV system with 43 inch screens
Nā Lepili
exhibition architecture, trade fair design, ceramic tiles, sustainable narrative, spatial storytelling, temporary architecture, material research, immersive space
ʻEnehana Hana
The structure was built as a modular temporary architecture with a 4 m maximum height. System platform flooring (150 mm, laser leveled) supported full tile installation without grouting. Custom X and V partitions were fabricated in OSB and finished with client tiles or structural paint. Powder coated steel edge profiles defined the platform. Over 160 luminaires created layered scenographic lighting. Installation included integrated electrical systems and multimedia walls.
Pilikia Hoʻolālā
The main challenge was presenting a raw base tile as a central aesthetic element while maintaining architectural coherence. Structurally, the booth required heavy ceramic cladding within temporary fair regulations and height limits. Achieving stability, modularity and precise installation without visible technical compromise demanded tight coordination between design, engineering and production teams.
Noiʻi
Stoneware plays the first fiddle here. The aim was to understand how an exhibition stand could clearly show how tiles are produced and communicate the life of this material. The concept was developed as a spatial story that guides visitors step by step through the cycles. Material tests, technical drawings, mockups and cost analysis supported the process, with close collaboration between the design team and Stargres production consultants. The result was a corridor shaped booth showcasing the product, with the base covered in the material in its primary form.
Hoʻoulu Manaʻo
The project was inspired by the idea of returning to origin. Instead of presenting finished collections, the design focuses on the base tile, the raw state preceding color and pattern. This gesture reflects transparency in production and a sustainable mindset. The booth becomes an architectural storyboard, guiding visitors through the symbolic stages of material transformation and rediscovery.
Ka Lōʻihi o ka Papahana
The project started in June 2025 in Poland and was completed in October 2025. Production began in September 2025. The booth was installed between 17-21 October 2025 and exhibited at Warsaw Home 2025 from 22-25 October 2025 in Warsaw, Poland.
Kaʻina Hana
Visitors enter a visually restrained exterior that reveals little of the interior. A central corridor guides them through sequential spatial frames representing stages of tile production. Surfaces, lighting and material transitions create a gradual discovery process. The booth encourages slow exploration rather than immediate display, transforming product viewing into a curated spatial experience.
Nā Lālā Hui
Designer: Marzena Michalska
Design Studio: Smart Design Expo

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