ʻO Chair of Soul Noho na Wen Jenq Cherng he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KeleaweLako Hale· 2020

Chair of Soul Noho

na Wen Jenq Cherng

Mea Kūʻai: Cherng's Work

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #91651

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Chair of Soul Noho

He noho ʻo Chair of Soul i hoʻolālāʻia e kākoʻo i ke kino ma kahi kūlana kū pololei a hoʻomaha pū. ʻO ke kiʻekiʻe o ka noho, ka pale kua ma ka pūhaka, a me nā lima kākoʻo ka mea e amo ai i ke kaumaha o ke kino luna. ʻO ka pale kua i pīoʻi mālie e hahai ana i ke ʻano o ke kino a hoʻomaha i ke koʻikoʻi ma nā poʻohiwi, ʻāʻī, pūhaka, a me nā lālā. ʻO nā lako hale kahiko o ka Ming Dynasty ke kumu hoʻohālike no kēia mau ana maʻalahi. ʻO ka lāʻau ʻebonī mai Sulawesi mai ke kino nui, hui pū me nā wāwae paipu keleawe a me kahi noho ʻili Nappa poni. Hoʻopili ʻia nā ʻāpana me nā hui mortise a me tenon, a hoʻopili kahi ʻano ākea i nā wāwae i ka noho.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Chair of Soul Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Chair of Soul Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Chair of Soul Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Nā Ana a me ka Hoʻopili: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Nā Lepili: Product, Chair, Health, Oriental, Furniture
ʻEnehana Hana: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Pilikia Hoʻolālā: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Noiʻi: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Hoʻoulu Manaʻo: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Ka Lōʻihi o ka Papahana: The project started in December 2016 and finished in December 2018.
Kaʻina Hana: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Nā Lālā Hui: Designer: Wen-Jenq Cherng